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9781592572465

The Complete Idiot's Guide to Slam Poetry

by ;
  • ISBN13:

    9781592572465

  • ISBN10:

    1592572464

  • Format: Paperback
  • Copyright: 2004-08-03
  • Publisher: DK Publishing, Inc.
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Summary

You're no idiot, of course. You've heard about slam poetry. Maybe you've even been to a few slams and had a blast. But when it comes to actually getting up onstage yourself, you come down with a bad case of stage fright ... Shatter your fears with the right information. Take some tips from The Complete Idiot's Guide to Slam Poetry -- and you'll be a slammin' poet in no time at all. Book jacket.

Author Biography

Marc Kelly Smith has brought to the poetry community a new style of presentation, which has given birth to an entirely new literary and performance movement. Smith has performed at The Smithsonian Institute and the Kennedy Center, and has been featured on CNN and NPR.

Joe Kraynak is a freelance writer whose long list of books includes The Complete Idiot's Guide to Computer Basics, Que's Internet Yellow Pages 2004, and The Complete Idiot's Guide to the Oceans.

Table of Contents

Part 1: What Is the Poetry Slam? 1(44)
1 Digging the Roots of Spoken Word Poetry
3(16)
Spoken Word Poetry's Long Tradition
4(3)
Battling Bards
5(1)
Beat, Hip-Hop, Rap, and Other Genres
6(1)
Slam Takes Center Stage
7(4)
Sowing the Seeds of Slam
7(1)
The Big Definition of Slam Poetry
8(1)
Poetry and Performance
9(1)
Conflicts and Synergies
9(1)
Staged Bouts for Audience Appeal
9(1)
Family, Feuds, and Friendships
10(1)
Who Inspired This Madness? and Why?
11(2)
The Chicago Poetry Ensemble
11(1)
The Fires Rage
12(1)
Poetry Of, By, and For the People
13(1)
Wherefore Art Thou, Slam?
13(1)
Slam Poetry Goes National
14(2)
Marc's Blow-by-Blow Account of the First NPS
14(1)
To Balance the Account-Gary Glazer's Recollections
15(1)
The One-Two Punch: The Second and Third NPS
16(1)
Slam Poetry Goes Global
16(1)
Slam Poetry Here and Now
17(2)
2 Soaking In the Spirit of Slam
19(10)
"The Points Are Not the Point"
20(1)
Relearning the Art of Listening
21(1)
Performance Poet as Audience Servant
22(1)
Boo! Hiss! Audience with Attitude
23(1)
Breaking Down the Color (and Collar) Barriers
23(2)
Competition and Camaraderie
25(1)
The Culture of Democracy
26(3)
3 Slam Competition-Rules, Regulations, and Other Formalities
29(16)
It's a Game, Stupid!
30(1)
The First Slam Competition
31(1)
Following the Rules
32(3)
Perform Your Own Work
33(1)
Three Minutes Is All We Can Stand
33(1)
No Props, Costumes, Trombones, or Other Carry-on Luggage
33(1)
Scoring: 0 to 10 (or Down to Minus Infinity)
34(1)
Famous Slam Disclaimers
35(2)
We Begin Each Slam with a Disclaimer-Bob Holman at the Nuyorican Café
35(1)
The Mean Chicago Rules Marc (So What!) Smith
36(1)
The Official Emcee Spiel Used at the National Poetry Slams
37(1)
The Many Flavors of Slam
37(4)
Unseen Slam
37(1)
Theme Slams
38(1)
Cover Slam
39(1)
Relay Slam
39(1)
Prop Slam
40(1)
Pong jam Slam-Music to the Poetic Ear
40(1)
Local Slams-Laws and Bye-Laws
41(1)
Heading for the Nationals-Get Serious!
42(3)
Part 2: Becoming a Performance Poet 45(70)
4 Penning the Powerful Slam Poem
41(22)
Seeing Is Believing-Concrete Vs. Abstract Language
48(3)
Slam Examples of Concrete Language
49(1)
Abstract Language
49(1)
Flaccid Phrasing
50(1)
Too Smart for Your Performance
51(1)
Rock to the Rhythm
51(2)
It's Gotta Sound Good, Too
53(1)
Guess the Rhyme
54(1)
No Sermons, But If You Must Preach
55(2)
Once Upon a Slam-Storytelling
57(2)
What's Your Point-Oratory, Poetics, or a Laundry List of Love?
59(2)
Pop Ideas and Newspaper Politics
60(1)
Write About Yourself
60(1)
All Forms Can Slam
61(2)
5 From Page to Stage
63
Confronting Stage Fright-Overcoming the Fear
63(6)
Slay the Confidence Busters
64(1)
Is That Text Well-Prepared?
65(1)
Visualize Success
66(1)
Practice, Practice, Practice
66(1)
Shift Your Focus
66(1)
Please Release Me
67(1)
Tricks (or No-Brainers) of the Trade
68(1)
Not Recommended
68(1)
Celebrating Your Slam Virginity, and Then Losing It
69(1)
Accumulate Stage Time
70(1)
Rehearse, Rehearse, Rehearse
71(1)
From Closet to Mirror to Tape Recorder to Friendly Ears
72
Through the Looking Glass
72(1)
Replay
73(1)
Recruiting a Critique
73(1)
Let It Out in Workshops
73
6 Honing Your Performance Technique
15(76)
Performance as an Art Form
76(2)
Engage
76(1)
Entertain
77(1)
Affect
77(1)
Entertaining Fundamentals
78(5)
Vary the Volume
78(2)
Tweak the Tempo
80(1)
Articulate
81(1)
Breathe Deep and Pause
82(1)
Shake, Gesture, and Move
83(2)
Walk the Talk
84(1)
Imagine the Stone
84(1)
Paint the Reading Room Red
85(1)
Shake It Out
85(1)
Look 'Em in the Eye
85(2)
Mood, Persona, and Where You Be
87(4)
7 Building a Performance and a Few More Skills
91(14)
Mastering the Art of Seductive Revelation
92(3)
Enter and Open with Flair
92(2)
Hold 'Em
94(1)
Mixing It Up
95(2)
Something Up Your Sleeve
95(1)
From Knee-Slappers to Side-Splitters
95(1)
Spectacle and Visual Accessories
96(1)
Musical Accompaniment and Sound Effects
96(1)
The Edge
96(1)
Cohesive and Corrosive Patter
97(1)
Closers
97(1)
Be Genuine in Content and Style
98(2)
All Forms Can Slam-Take Two
99(1)
Avoiding Common Performance Clichés
99(1)
Memorization
100(2)
How We Make Memory Deposits
100(1)
Bringing It Back
101(1)
The Memorization Curve
101(1)
Performing in the Zone
102(3)
8 Where and flow to Gig Around
105(10)
Happy Days Are Here Again
106(2)
Open Mike Search
106(2)
Getting on Track with Weekly or Monthly Shows
108(1)
All the Gigs You Can Do
108(3)
Bookstore Readings
Nightclubs, Saloons, and Other Informal Venues
109(1)
Late-Night Theater
110(1)
Performance Venues
110(1)
Schools Can Do It, Too (Educational Outreach)
110(1)
Don't Forget the Slams
111(1)
Do-It-Yourself Venues (Create Your Own Show)
111(1)
Performance Poetry Etiquette 101
111(1)
Proper Etiquette for Poets and Per formers
111(2)
Audience Etiquette
113(2)
Part 3: Going Poet Professional 115(40)
9 Packaging and Promoting Your Performance
111(20)
Thinking Like a Marketing Mogul
118(1)
Slapping Together a Press Pack
118(6)
Get It in Print
119(1)
Get It on Tape
120(3)
Roll 'Em: Filming Your Act
123(1)
Low-Budget or All-Out Glitz?
124(1)
Establishing Yourself on the Web
124(2)
Structuring Your Website
125(1)
Promoting Your Website
126(1)
Generating Stories, Interviews, and Media Attention
126(5)
Step 1: Write a Press Release
127(1)
Step 2: Send the Press Release
127(1)
Step 3: Call 'Em
127(1)
Work Your Angle
128(1)
Hit the Airwaves
129(1)
Press the Flesh
129(2)
10 Taking Your Show on the Road
131(12)
Tour Planning 101
132(4)
Step 1: Route Your Tour
132(1)
Step 2: Score Some Gigs
133(1)
Step 3: Get a Ride
134(1)
Step 4: Find a Place to Sleep and Shower
134(1)
Step 5: Marketing Your Tour
135(1)
Schmoozing the Bookers, the Waiters, the Ticket Takers
136(3)
Slams and Their Masters
136(1)
Nightclub Owners and Their Managers
136(1)
Buttering Up the Booking Agents
137(1)
Concert Halls-Performing in the Big House
138(1)
Don't Get Set Up to Fail
139(1)
Getting Paid
140(3)
11 Old-School Advice: Act Professional
143(12)
Oh, Behave!
144(4)
Keep It Down During a Performance
145(1)
Don't Pull Focus While Others Are Performing
145(1)
Don't Glower
145(1)
No Hoot-and-Holler Cheerleading
145(1)
Keep Conspicuous Negative Opinions to Yourself
146(1)
It's Not Your House
146(1)
Would You Talk That Way to Grandma?
147(1)
Be Prepared
148(2)
Have a Plan
148(1)
Practice Your Performance
149(1)
Offstage Preparation: Getting the Nerves Out
149(1)
Hitting Your Mark
150(1)
Use Your Nervous Condition to Your Advantage
150(1)
Make the Right Approach
150(1)
Take the Mike
151(1)
Respect Your Audience
151(1)
Primping for the Stage
151(1)
Hawking Your Wares
152(3)
Part 4: Setting the Stage for Yourself and Others 155(58)
12 Should I Become a Slammaster?
151
Do You Have the Itch?
158(1)
Taking Inventory-Do You Have What It Takes?
159(4)
Are You Doing This for Yourself?
159(1)
Do You Have a Vision?
160(1)
Do You Have a Support Network?
160(1)
Do You Have the Time and Energy?
161(1)
Are You a Show Maker?
162(1)
Are You As Crazy As the Rest of Us?
163(1)
Tallying Your Talents and Resources
163(1)
Been There, Seen That
163(1)
Been There, Done That
164(1)
The Obstacles Ahead
164(3)
The Hoity-Toity Establishment
164(1)
Cash Flow Problems
165(1)
Shifting Sands-Unforeseen Changes
165(1)
Pettiness and Social Hostility
166(1)
Sharpening Your Vision
167
Look Inside: Personal Needs
167(1)
Look Around: Community Needs
167(1)
Slam Spin-Offs-An Ever-Evolving Art
168
13 Scoping Out the Right Venue
111(74)
Composing a Venue Wish List
172(3)
Think Small-Small Enough to Create a Happening
172(1)
Ambience Is Everything
173(2)
Frame the Picture
175(2)
The Necessary Services
176(1)
Location, Location, Location
176(1)
Now Write It Down
177(1)
Say Ohhmmm and Begin the Search
177(2)
The Finger Walking List
178(1)
Foot Walking List
178(1)
Get Connected
179(1)
Pick a Night
179(1)
Judgment Day
180(1)
Closing the Deal
181(2)
Money Talk
181(1)
Who Does What?
182(1)
Hey! I Can't Find a Venue!
183(1)
Hooray! You Did It! Now Make It Yours
183(2)
14 All the Slam's a Stage
185(10)
Rising Above the Rabble-Stage Focus
185(1)
Poet-in-a-Box: The Black Box
186(1)
Above the Crowd on the Bandstand
187(1)
The Spartan Stage: Cleared Space
188(1)
The Great Hall
188(1)
The Big-Time Stage: The Proscenium
189(1)
Bring on the Bells and Whistles
189(1)
Bigger's Not Always Better
189(1)
The Outdoor Stage: Help!
190(1)
Speak Up, They Can't Hear Ya!
190(1)
Think Big
191(1)
The Rickety Rent-A-Stage
191(1)
What? No Stage?! No Cleared Space?!
192(1)
Worse Than Nothing: Bad Scenes
192(3)
15 Let's Get Technical
195(6)
Tuning In to Sound Systems-Can You Hear Me Now?
196(2)
"Testing...One...Two...Three..."
196(2)
Light 'Em if They Got 'Em
198(2)
Lights Up, Lights Down
198(1)
Homespun Lighting Systems
199(1)
Top-Shelf Lighting
199(1)
Adding Some Glitz
200(1)
Dressing for Performance
200(2)
Spicing It Up with a Little Music
202(1)
Slide Shows
202(3)
Props and Drops
205
16 Choosing Your Crew
201(10)
Flying Solo-the Self-Made Slam
208(1)
Organizing by Committee
208(1)
The Duties to Delegate
209(2)
Marketing
209(1)
Scouting for Talented Performers
210(1)
Trustworthy and Reliable Assistants
210(1)
Emcees Wanted-Charisma Required
211(3)
Auditioning Emcees
212(1)
Relief Pitchers-Back-Up Emcees Need Charisma, Too
213(1)
Mixing It Up with Different Personalities
213(1)
Offstage Support
214(2)
Sound and Light
214(1)
Doorperson
214(1)
Scorekeepers/Timers
215(1)
Merchandise Sellers
215(1)
Judges
215(1)
In-House Ensembles
216
17 Taking Ownership of Your Show
211(18)
Acting as Gracious Host
218(1)
Greeting Your Guests
218(1)
Introducing Your Guests
219(1)
Acting as the Maitre d'
219(1)
Setting a Stage, Not a Pedestal
219(2)
Watch the Clock-Starting on Time
221(1)
Fueling Audience Frenzy
221(1)
Making the Most of a $lam $ituation
222(4)
Preserving the History
222(1)
Creating Anthologies
223(1)
Compilation CDs
224(1)
T-Shirts and Souvenirs
225(1)
Establishing Profitable Partnerships
226(1)
Absurd Ambitions and Other Worldly Temptations
226(3)
18 Get the Word Out: Publicizing Your Show
229(14)
Know What You're Promoting
230(1)
Angles and Selling Points
230(1)
Marketing Materials: Forms That Fit
231(6)
Making a Name (and Logo) for Yourself
231(1)
Cheap, but Effective: Flyers and Postcards
232(1)
Not as Cheap, but Very Effective: Posters
233(1)
Garnering Some Free Press
233(1)
Managing Mailing (and E-Mailing) Lists
234(1)
Paid Ads
234(1)
Cool Calls
235(1)
Website Appeal
235(1)
Radio and TV
236(1)
Never Underestimate Word-of-Mouth
237(1)
To Whom Are You Promoting?
237(2)
How Many People Do You Need to Reach?
237(1)
Calculating the Break-Even Point
238(1)
Motivating Yourself with Deadlines
239(1)
The Push
239(1)
Thank You and Goodnight
240(3)
19 It's Showtime!
243(16)
Finding Form in Your Vision
244(1)
Drawing Up a Slam Itinerary
244(2)
The Main Station Stops
246(3)
Greetings
246(1)
Open Mike
246(1)
Special Acts and Guest Performers
247(1)
The Competition
248(1)
Detailing Your Trip Tick
249(4)
Adding Ceremony and Ritual
249(2)
Bring It On-Heckles, Jekylls, and Hydes
251(1)
Jacks in the Box
251(2)
Competition as a Theatrical Device
253(3)
Signing 'Em Up
253(1)
Picking the judges
253(2)
Alternative Styles of Judging
255(1)
To Spin or Not to Spin?
256(1)
Pace
256(1)
Leave 'Em Wanting More Effect
257(2)
20 Expanding Your Market: Special Shows
259
Courting the Institutions
260(2)
Types of Institutions
260(1)
Getting Your Foot in the Door
261(1)
Book Fairs and Festivals
262(1)
Corporate Conventions and Corporate Programming
262(1)
Benefits and Their Paybacks
263(1)
Shaping Your Show for a Special Gig
263(3)
Motorcycle Slam
263(1)
Celebrity Slam
264(1)
Slam Dunk Poet;y Day
265(1)
Other Twists
266(2)
The Youth Slam
266(1)
The Music + Poetry + Slam Slam
267(1)
Bah! Humbug! The Holiday Slam
267(1)
From Nothing Something Slams
268(2)
Fat Tuesday Celebration of the Seven Deadly Sins
268(1)
Chi Town Classic
268(1)
Slammin' Across America
269(1)
Your Overall Strategy
270
Part 5: We Are Slamily: The Slam Family 213(108)
21 Take It from the Top: PSI, the National Organization
215(66)
Incorporation-A Necessary Evil
276(1)
Connecting to the National Scene
277(4)
Becoming a PSI Member
277(2)
Help Wanted: Volunteers
279(1)
Staying in the Loop with the Listserv
280(1)
Open Lines of Communication
280(1)
PSI's Noncorporate, Nonprofit Structure
281(2)
The Slam Family
281(1)
The SlamMasters' Council
282(1)
How to Register and Certify Your Slam
283(1)
Certification and Registration-What's the Difference?
283(1)
What Is Certification "Evidence"?
284(1)
How Long Does Certification or Registration Last?
284(1)
The Closest Thing to a Corporate Structure: The Executive Council
284(1)
Professional and Volunteer Staff
285(1)
Subcommittees
286
22 NPS-IWPS: The National Competitions
281(22)
A Brief History Lesson
288(1)
Tournament Rites and Rituals
288(4)
Preshow Tuesday
288(1)
Opening Day
289(1)
It's All About Bouts
289(1)
Sideshows and Other Roadside Attractions
290(1)
Meetings and Other Formalities
290(2)
Hey, We Have Fun, Too
292(1)
It's Official-The PSI Rule Book
292(5)
Three Basic Rules
293(1)
The Three-Minute Rule
294(1)
Team Pieces
295(1)
Scoring
296(1)
Judges
296(1)
Sending a Team
297(2)
Team Selection Process
298(1)
Who Gets To Go?
298(1)
Competing as an Individual
299(1)
Storm Poets at NPS
299(1)
Flying Solo at IWPS
299(1)
Attending as a Volunteer
300(1)
Hosting a National Competition
300(3)
23 More Eventful Events (and flow to Get Involved)
303(12)
PSI Educational and Outreach Programs
304(3)
Slam Graduates: ACUI College Slam
304(1)
Slam Summer Camp
305(1)
Pumping Poetic Iron at the United States Scholar Athlete Games
306(1)
Slammin' @ Your Library
306(1)
New York SCORES Annual Poetry
306(1)
Sowing the Seeds of Slam
307(1)
Closer to Home: Regional Slams
307(3)
Southern Fried Poetry Slam
307(1)
Rust Belt Slam
308(1)
Western Regional Slam at Big Sur
309(1)
Slam Spin-Offs
310(5)
Midwest Poetry Slam League
310(1)
The New Word Series
311(1)
Battle of the Bay
312(1)
Taos Poetry Circus
312(1)
The Canadian Spoken Word Olympics
313(1)
Russell Simmons's Def Poetry jam
313(2)
24 Slam the World Over: The Global Community
315(6)
Exploring Slam's Growth Pattern
316(1)
Slam in Germany
317(4)
Slammin' at the Substanz
318(1)
The History of the German International Poetry Slam
318(3)
Poetry Slam in Denmark
321(1)
Slam in Switzerland
321(1)
Slam in France
322(2)
Slam in Singapore
324(1)
Other Slam Importers
325
Appendixes
A Reference Material
321(10)
B Slammin' Websites
331(8)
C SlamSlang
339(2)
Index 341(33)
CD Track List 374

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