What is included with this book?
Preface to the Original Edition | |
Editor's Preface | |
A Short Sketch of the History of the Organ | p. 1 |
Ancient Flutes | |
Flutes on a Box of Wind | |
Primitive Bellows | |
Reed- and Flue-pipes | |
Keys for the Hands | |
Keys for the Feet | |
Sliders | |
Two or More Rows of Keys | |
Portatif and Positif Organs | |
Swell Shutters | |
Horizontal Bellows | |
Concussion Bellows | |
Composition Pedals and Combination Pistons | |
Pneumatic Lever | |
Improvements in Organ-pipes | |
Harmonic Stops | |
Addenda to Part I | p. 8 |
Pneumatic and Electric Actions | |
Tubular Pneumatic Action | |
Electric Action | |
Adjustable Combination Action | |
Reversible Pedals or Pistons | |
Tremulant | |
Automatic Suitable Bass | |
Universal Air-Chest | |
Stop Switch | |
Crescendo Pedal | |
Double Touch | |
Stop-Keys, or Tilting Tablets | |
Melodic Coupler | |
Duplex Chest Action | |
Inclined Manuals | |
Spherical Pedal-Board | |
Short Explanation of the Construction of an Organ | p. 12 |
Tracker Action from Key to Pallet | |
Sticker, Backfall, Tracker | |
Arrangement of Pipes | |
From Bellows to Pipes | |
Trunk, Wind-chest, Pallet, Groove, Slider | |
Couplers | |
Tubular Pneumatic Action | |
Electric Action | |
Stops and Their Management | p. 19 |
Tone-quality | |
Length of Pipes | |
Classification of Stops: Double, Foundation, Mutation, Compound | |
List of Chief Manual Stops, Flue and Reed, with Character of Tone | |
List of Chief Pedal Stops | |
Combination of Stops on each of the Manuals from pp to ff | |
Combination of Pedal Stops | |
Use of Solo Organ | |
Manual Couplers | |
Special Stops invented by Hope-Jones | |
Care of the Swell Organ | |
Balanced Swell Pedal | |
General Remarks | |
Use of the Swell Pedal | |
Management of Stops | |
Practical Study | p. 30 |
Difficulties Peculiar to Organ-playing | |
Position on Bench | |
Straight and Radiating Pedal-Boards | |
Principles of Pedalling | |
Free Ankle-joint: Exercises | |
Method of Pedalling without Looking at Feet: Exercises | |
Manual Touch: Its Characteristics | |
Position of Hand: Exercises | |
Scale-Passages on Pedals | |
Use of Alternate Toes: Exercises | |
Independence of Hands: Exercises | |
Independence of Hands and Feet: Exercises | |
Toe and Heel: Exercises | |
Each Hand Separately with Feet: Exercises | |
Scale-Passages | |
Easy Trios | |
The Legato Style | |
Exercises for Shifting the Fingers | |
Exercises on the Legato Touch | |
Supplementary Pedal Studies | |
Double Pedal | |
Sliding Foot from One Key to Another | |
Hints on Organ-Accompaniments: Hymn-Tunes, Chanting, Gregorian Chant | |
Chorales and Hymn-Tunes | |
Extended Passages for the Feet | |
Expression on the Organ | |
Conclusion--Allegretto in F (Stainer) | |
Andante in A (Stainer) | |
Fantasia in E minor (Stainer) | |
Adagio in E[flat] (Stainer) | |
Prelude and Fughetta in C (Stainer) | |
Cantilene pastorale (Guilmant): Playing on Two Manuals with One Hand | |
Caprice in B[flat] (Guilmant): Rapid Change of Manuals | |
Savior of the Nations, Come (Nun komm, der Heiden Heiland) (Bach) | |
Andante religioso, from Sonata in A, Op. 65, No. 4. (Mendelssohn) | |
Prelude and Fugue in C (Bach) | |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.