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FOREWORD | v | ||
PREFACE TO THE THIRD EDITION | vii | ||
PREFACE TO THE REVISED EDITION | viii | ||
PREFACE TO THE FIRST EDITION | ix | ||
I INSPIRATION | 3 | (4) | |
II OTHER STUDIES | 7 | (2) | |
III CONDUCTING TECHNIQUE-GENERAL | 9 | (4) | |
IV THE BATON | 13 | (2) | |
V ODDS AND ENDS | 15 | (1) | |
VI BEAT PATTERNS-THEORY | 16 | (6) | |
VII BEAT PATTERNS-SPECIFIC | 22 | (15) | |
VIII THE LEFT HAND | 37 | (2) | |
IX DYNAMICS, ACCENTS, PHRASING, TEMPO, CHARACTER | 39 | (7) | |
X CUES | 46 | (4) | |
XI OFF-BEAT CUES, ACCENTS, AND SYNCOPATIONS | 50 | (4) | |
XII CONDUCTING TO RECORDS | 54 | (3) | |
XIII MORE ODDS AND ENDS | 57 | (7) | |
XIV STARTS AND STOPS | 64 | (12) | |
XV SUBDIVISION AND "MERGING" | 76 | (7) | |
XVI MOULDING THE MUSIC | 83 | (2) | |
XVII FERMATAS | 85 | (6) | |
XVIII EARS | 91 | (2) | |
XIX NERVES | 93 | (2) | |
XX THOUGHTS ON INTERPRETATION | 95 | (8) | |
XXI SOME REHEARSAL SUGGESTIONS | 103 | (6) | |
XXII SOLOS AND RECITATIVES | 109 | (4) | |
XXIII CHANGING BEAT UNITS | 113 | (7) | |
XXIV THE AVANT-GARDE | 120 | (2) | |
XXV THE CONCERT | 122 | (5) | |
XXVI NON-MUSICAL CHORES | 127 | (1) | |
XXVII ON TEACHING CONDUCTING | 128 | (2) | |
ADDITIONS & AMPLIFICATIONS FOR THE THIRD EDITION | 130 | (5) | |
INDEX | 135 |
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