Foreword | p. v |
Preface to the Revised Edition | p. vii |
Preface to the First Edition | p. ix |
Inspiration | p. 3 |
Other Studies | p. 7 |
Conducting Technique--General | p. 9 |
The Baton | p. 13 |
Odds and Ends | p. 15 |
Beat Patterns--Theory | p. 16 |
Beat Patterns--Specific | p. 22 |
The Left Hand | p. 37 |
Dynamics, Accents, Phrasing, Tempo, Character | p. 39 |
Cues | p. 46 |
Off-Beat Cues, Accents, and Syncopations | p. 50 |
Conducting to Records | p. 54 |
More Odds and Ends | p. 57 |
Starts and Stops | p. 64 |
Subdivision and "Merging" | p. 76 |
Moulding the Music | p. 83 |
Fermatas | p. 85 |
Ears | p. 91 |
Nerves | p. 93 |
Thoughts on Interpretation | p. 95 |
Some Rehearsal Suggestions | p. 103 |
Solos and Recitatives | p. 109 |
Changing Beat Units | p. 113 |
The Avant-Garde | p. 120 |
The Concert | p. 122 |
Non-Musical Chores | p. 127 |
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