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| Forward: Full-Featured Compact Digital Cameras | |
| Preface: Compact Camera Photo Gallery; Believe It or Not | |
| Introduction: Confessions of a Compact Camera Shooter | |
| Confession | |
| Keep It Clean | |
| See the Diff erence? | |
| Noise | |
| Lens Appeal | |
| Check It Out | |
| Uh-Oh | |
| Th e Rescue | |
| Plug In for Fun | |
| Save As ... What? | |
| Compact Shooter's Gear Bag | |
| A Heavier Load | |
| Compact Camera, Pro Results | |
| People Pictures | |
| Animals | |
| Landscapes and City Scenes | |
| Snow and Nature | |
| Pro Studio | |
| Tell a Story with Pictures | |
| Th e Answers | |
| What Your Compact Camera Can and Can't Do | |
| Image Quality | |
| Digital Noise Diff erence | |
| Getting Close to a Subject | |
| Sunsets-and More on Subject Size | |
| Maximum Wide-Angle View | |
| Close-ups | |
| Action Sequences | |
| Shutter Lag | |
| More on Shutter Lag | |
| Always Ready for Fun | |
| On-the-Spot Creativity | |
| Know Your Camera | |
| Good News | |
| Top Tips for Great Digital Pix | |
| An Interesting Subject is Key | |
| Go for Good Composition | |
| Pick an Interesting Vantage Point | |
| Focus on Auto Focusing | |
| Fine-Tune Your Exposures | |
| Be Aware of the Background | |
| See the Light | |
| Create a Sense of Depth | |
| Control the Light On-Site | |
| Check Your Exposures | |
| Check Your Camera Settings | |
| Watch for Lens Flare | |
| Subtle Lens Flare | |
| Use Your Radar | |
| Dead Center is Deadly | |
| See Eye to Eye | |
| When You Th ink You Are Close Enough, Move Closer | |
| When You Th ink You Are Done Shooting, Keep Shooting | |
| Always Look Up, Always Look Down | |
| Th e Name of the Game is to Fill the Frame | |
| Don't Forget the Details | |
| Frame It | |
| Don't Just Stand There | |
| Do It In the Digital Darkroom | |
| Look for Pictures within A Picture | |
| Be Ready for Fun ... and the Not So Fun | |
| RAW Rules | |
| Make Pictures, Don't Just Take Pictures | |
| Always Carry a Camera | |
| Don't Get Stuck | |
| All Together Now | |
| Develop Understanding | |
| Light: The Main Subject in Every Photograph | |
| What Our Eyes See vs. What Our Cameras See | |
| Scene Brightness and ISO Settings | |
| Photographing People Indoors in Low Light | |
| Reducing and Increasing the Light | |
| More on Increasing the Light | |
| Contrast and Outdoor People Pictures | |
| Diff user in Action | |
| Contrast in Scenic Pictures | |
| Th e Color of Light | |
| Th e Direction of Light | |
| Th e Quality of Light | |
| Finding the Light: Part I | |
| Finding the Light: Part II | |
| Controlling the Movement of Light | |
| Understanding ISO | |
| Bright Light and Low Light Settings | |
| Digital Noise Degrades Image Quality | |
| Set Higher ISO to Stop Action | |
| Increase ISO to Stop Your Movement | |
| Lower ISO to Blur Subject Movement | |
| Get the Best Image Quality: RAW and JPEG | |
| When RAW Rules | |
| When JPEGs are Okay | |
| Settings for JPEG Image Quality/Compression | |
| Th e Importance of Seeing the Light | |
| RAW Really Rules with Panoramas | |
| A Case for White Balance | |
| Individual White Balance Settings | |
| Auto White Balance | |
| When White Balance Goes Wrong | |
| When the Wrong White Balance Can Actually be Right | |
| Correcting White Balance in Camera RAW | |
| Flash Settings: On, Off and Partial | |
| Sunny Day Flash Shots | |
| Fill Flash Outdoors In the Shade | |
| Add Just a Touch of Flash | |
| When Flash May Not Be a Good Idea | |
| Adding an Accessory Flash | |
| The Zoom Lens Advantage | |
| Closer or Wider, It's Your Choice | |
| Compose Creatively | |
| Blur the Background | |
| Blur the Background by Changing Position | |
| Cool Close-Ups | |
| Setting the Mode | |
| Fully Automatic Modes | |
| Full Auto Mode | |
| Portrait Mode | |
| Sports Mode | |
| Landscape Mode | |
| Close-up Mode | |
| Night Portrait Mode | |
| Flash-Off Mode | |
| Creative Exposure Modes | |
| Program Mode | |
| Shutter-Priority (Tv) Mode | |
| Aperture-Priority (Av) Mode | |
| Manual Exposure (M) Mode | |
| Exposure Bracketing | |
| Metering Modes | |
| Average | |
| Center-Weighted Average Metering | |
| Spot Metering | |
| Focus Modes | |
| One-Shot | |
| Focus Lock | |
| Focus Tracking | |
| Manual | |
| Drive Modes | |
| Single Frame Advance | |
| Rapid Frame Advance | |
| Self-Timer | |
| The Wonders of Infrared Imaging | |
| From Drab to Fab | |
| Black-and-White IR | |
| Have Fun with Filters, Too! | |
| Seeing in IR | |
| Panos in IR | |
| Photoshop Elements Confessions | |
| Quick Look at the Quick Mode | |
| Th e Full Mode is Full-Featured | |
| Save a Copy | |
| Crop Creatively | |
| Love Th ose Adjustment Layers | |
| Th e Touch of a Brush | |
| A Look at Levels | |
| Brightness/Contrast Basics | |
| See What Hue/Saturation Can Do For You | |
| Th e Super Shadow/Highlight Control | |
| Select Your Selections Carefully | |
| Do It with the Dodge/Burn/Sponge Tool | |
| Resize the Right Way | |
| Check-out Canvas Size | |
| Heal With the Spot Healing Brush | |
| Copy and Fix with the Clone Stamp Tool | |
| Wow 'em With Black-and-White Images | |
| Have Fun with Effects | |
| Play With Plug-ins | |
| Sharpen As Th e Final Step | |
| Reward of RAW Files | |
| Expand Your Vision with HDR Imaging | |
| Take at Least Th ree Shots | |
| Generate HDR | |
| Do It with Details Enhancer | |
| Th e Fun Never Stops | |
| Take HDR Inside, Too | |
| Shooting Panoramas | |
| Getting Started | |
| Pano from Adobe Bridge | |
| Shoot Verticals | |
| More Fun Awaits You | |
| Expect Surprises, Too | |
| A Truly Amazing Match | |
| Shooting Panos in a Tight Spot | |
| Experiment with Layouts | |
| Expect to Crop | |
| HDR + Panos + Way-Cool Imaging Fun | |
| Shooting for an HDR Pano | |
| Generate an HDR Image for Each Set of Images | |
| Enter Photoshop Elements | |
| Play in Photoshop Elements | |
| Make a Better Print | |
| Shoot it Right | |
| Calibrate your Monitor | |
| Adjust your Photo | |
| Size your Photo for Printing | |
| Sharpen your Photo | |
| Working with the Printer | |
| Test your Print | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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