Conjuring the Folk : Forms of Modernity in African America

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  • Format: Hardcover
  • Copyright: 2000-02-01
  • Publisher: Univ of Michigan Pr
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Conjuring the Folkaddresses the dynamic relation between metropolitan artistic culture and its popular referents during the Harlem Renaissance period. From Jean Toomer's conclusion that "the Negro of the folk-song has all but passed away" to Zora Neale Hurston's discovery of "a rich field for folk-lore" in a Florida lumber camp, Harlem Renaissance writers made competing claims about the vitality of the African-American "folk." These competing claims, David Nicholls explains, form the basis of a discordant conversation on the question of modernity in African America. In a series of revisionary readings, Nicholls studies how the "folk" is shaped by the ideology of form. He examines the presence of a spectral "folk" in Toomer's modernist pastiche,Cane. He explores how Hurston presents folklore as a contemporary language of resistance in her ethnography,Mules and Men. In Claude McKay's naturalistic romance,Banana Bottom, Nicholls discovers the figuration of an alternative modernity in the heroine's recovery of her lost "folk" identity. He unearths the individualist ethos of Booker T. Washington in two novels by George Wylie Henderson. And he reveals how Richard Wright's photo-documentary history,12 Million BlackVoices, places the "folk" in a Marxian narrative of modernization toward class-consciousness. A provocative rereading of the cultural politics of the Harlem Renaissance,Conjuring the Folkoffers a new way of understanding literary responses to migration, modernization, and the concept of the "folk" itself. David G. Nicholls is a post-doctoral fellow in the Center for the Study of Race, Politics, and Culture, University of Chicago.

Author Biography

David G. Nicholls is Chair of American Culture and Literature at Bilkent University in Turkey.

Table of Contents

Acknowledgments ix
Conjuring the Folk
Modernism and the Spectral Folk: Jean Toomer's Cane
Folklore and Migrant Labor: Zora Neale Hurston's Mules and Men
The Folk as Alternative Modernity: Claude McKay's Banana Bottom
Rural Modernity, Migration, and the Gender of Autonomy: The Novels of George Wylie Henderson
The Folk, the Race, and Class Consciousness: Richard Wright's 12 Million Black Voices
Conclusion: Local Histories and World Historical Narrative
Notes 135(22)
Select Bibliography 157(14)
Index 171

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