Acknowledgments | p. 9 |
Introduction | p. 11 |
Profiles of the Participating Historically Black Colleges and Universities | p. 18 |
Clark Atlanta University Art Galleries, Clark Atlanta University, Atlanta, Georgia | p. 18 |
Fisk University Galleries and Collections, Fisk University, Nashville, Tennessee | p. 20 |
Hampton University Museum, Hampton University, Hampton, Virginia | p. 22 |
Howard University Gallery of Art, Howard University, Washington, D.C. | p. 24 |
North Carolina Central University Art Museum, North Carolina Central University, Durham, North Carolina | p. 26 |
Tuskegee University, Tuskegee, Alabama | p. 28 |
Conserving a Legacy: Forging a Partnership | p. 31 |
To Conserve a Legacy: American Art from Historically Black Colleges and Universities | p. 103 |
Conservation and Photographic Archives | p. 144 |
Painters Painting, Conservators Conserving: The Laying on of Many Hands | p. 146 |
Lux, Lies, and Compromise: The Politics of Light Exposure | p. 150 |
Preserving the Cyanotype: Unlimited Access and Exhibition through Digital Image Surrogates | p. 154 |
Laurel and Hardship: The Tales of Two Picture Frames | p. 156 |
The Hampton Camera Club | p. 159 |
Chronicling Tuskegee in Photographs: A Simple Version | p. 164 |
Conservation Directions for Sculpture: Cleaning and Compensation of Edmonia Lewis's The Old Arrow Maker and His Daughter | p. 166 |
Contributors | p. 167 |
Exhibition Checklist and Catalogue | p. 168 |
Table of Contents provided by Blackwell. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.