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9780321198174

Contemporary Creative Nonfiction I & Eye

by ;
  • ISBN13:

    9780321198174

  • ISBN10:

    0321198174

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2004-07-15
  • Publisher: Pearson

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Summary

This anthology brings together 50 diverse works of contemporary creative nonfiction, from memoirs to personal essays to literary journalism, along with 15 craft essays.

Table of Contents

Alternate Contents by Creative Nonfiction Forms vii
Preface xi
INTRODUCTION 1(8)
The "I"
1(1)
The "Eye"
2(1)
The Idea of Truth
3(2)
The Use of Literary Elements
5(4)
I. PORTRAITS 9(72)
Introduction
9(2)
The "I"
11(37)
Bernard Cooper,
"Picking Plums"
11(6)
Tony Earley,
"Somehow Form a Family"
17(6)
Lucy Grealy,
"Mirrorings"
23(7)
Jamaica Kincaid,
"Biography of a Dress"
30(5)
Lê Thi Diem Thúy,
"The Gangster We Are All Looking For"
35(8)
John Edgar Wideman,
from Brothers and Keepers
43(5)
The "Eye"
48(19)
Beverly Lowry,
"Secret Ceremonies of Love and Death"
48(4)
Susan Orlean,
"Meet the Shaggs"
52(7)
Tom Wolfe,
"Yeager" from The Right Stuff
59(8)
Craft Essays
67(14)
Tracy Kidder,
"Making the Truth Believable"
67(2)
Phillip Lopate,
"On the Necessity of Turning Oneself into a Character"
69(4)
Scott Russell Sanders,
"The Singular First Person"
73(8)
II. PLACE 81(62)
Introduction
81(2)
The "I"
83(34)
Judith Ortiz Cofer,
"Silent Dancing"
83(6)
Edwidge Danticat,
"Westbury Court"
89(3)
Stuart Dybek,
"Field Trips"
92(3)
Chang-rae Lee,
"Coming Home Again"
95(7)
Thomas Lynch,
"The Undertaking"
102(6)
Naomi Shihab Nye,
"Thank You in Arabic"
108(9)
The "Eye"
117(16)
John McPhee,
"The Search for Marvin Gardens"
117(7)
James Alan McPherson,
"Saturday Night, and Sunday Morning"
124(6)
Sarah Vowell,
"What He Said There"
130(3)
Craft Essays
133(10)
André Aciman,
"A Literary Pilgrim Progresses to the Past"
133(3)
Vivian Gornick,
from The Situation and the Story
136(4)
Jonathan Raban,
"Notes from the Road"
140(3)
III. CREATIVITY AND THE ARTS 143(64)
Introduction
143(2)
The "I"
145(31)
Meghan Daum,
"Music Is My Bag"
145(7)
Dagoberto Gilb,
"Steinbeck"
152(2)
Wayne Koestenbaum,
"Celebrity Dreaming"
154(6)
David Sedaris,
"The Drama Bug"
160(6)
Charles Simic,
"The Necessity of Poetry"
166(7)
Susan Allen Toth,
"Cinematypes: Going to the Movies"
173(3)
The "Eye"
176(13)
Saul Bellow,
"Graven Images"
176(3)
Leslie Marmon Silko,
"Language and Literature from a Pueblo Indian Perspective"
179(6)
John Updike,
"Fast Art"
185(4)
Craft Essays
189(18)
Patricia Hampl,
"Reviewing Anne Frank"
189(5)
Bret Lott,
"Toward a Definition of Creative Nonfiction"
194(6)
Cynthia Ozick,
"She: Portrait of the Essay as a Warm Body"
200(7)
IV. NATURE AND SCIENCE 207(74)
Introduction
207(2)
The "I"
209(33)
Gretel Ehrlich,
"The Solace of Open Spaces"
209(7)
Edward Hoagland,
"The Courage of Turtles"
216(4)
Linda Hogan,
"The Bats"
220(3)
Richard McCann,
"The Resurrectionist"
223(6)
Floyd Skloot,
"Wild in the Woods: Confessions of a Demented Man"
229(7)
Terry Tempest Williams,
"The Clan of One-Breasted Women"
236(6)
The "Eye"
242(18)
Diane Ackerman,
"The Psychopharmacology of Chocolate"
242(3)
Atul Gawande,
"Final Cut"
245(8)
Stephen Jay Gould,
"A Biological Homage to Mickey Mouse"
253(7)
Craft Essays
260(21)
Annie Dillard,
"Seeing"
260(11)
Barry Lopez,
"Landscape and Narrative"
271(4)
Edward O. Wilson,
"Life Is a Narrative"
275(6)
V. CULTURE AND SOCIETY 281(74)
Introduction
281(2)
The "I"
283(31)
Dorothy Allison,
from Two or Three Things I Know for Sure
283(5)
Margaret Atwood,
"The Female Body"
288(2)
Gerald Early,
"Life with Daughters: Watching the Miss America Pageant"
290(12)
Maxine Hong Kingston,
"No Name Woman"
302(7)
Bharati Mukherjee,
"Two Ways to Belong in America"
309(2)
Alice Walker,
"Becoming What We're Called"
311(3)
The "Eye"
314(26)
Lawrence Otis Graham,
"Invisible Man"
314(11)
Michael Herr,
"Illumination Rounds"
325(10)
Susan Sontag,
from AIDS and Its Metaphors
335(5)
Craft Essays
340(15)
Joan Didion,
"On Keeping a Notebook"
340(5)
Barbara Ehrenreich,
"Getting Ready" from Nickel and Mimed
345(4)
Lee Gutkind,
"The Creative Nonfiction Police"
349(6)
Appendix I: Writing Prompts 355(8)
Appendix II: Suggestions for Further Reading 363(20)
Credits 383(2)
Index of Authors and Titles 385

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