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9780802036865

Conversations With Lotman

by ;
  • ISBN13:

    9780802036865

  • ISBN10:

    0802036864

  • Format: Hardcover
  • Copyright: 2003-10-01
  • Publisher: Univ of Toronto Pr

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Summary

Conversations with Lotmanis a critical analysis of Russian cultural historian and theoretician Jurij Lotman's central contributions to the study of semiotics, including his writings on the "semiotics of culture" and the "semiotics of artistic space," and his efforts to model the production of cultural knowledge and how it is shared in any functioning semiotic space. Edna Andrews builds a narrative around Lotman's work by presenting the major principles of his cultural semiotic theory, including his doctrine of signs, his definition of the "semiosphere," and his modelling of communication as a means to create new knowledge and to share old knowledge.Andrews also examines how Lotman's semiotic constructs relate to structuralist and post-structuralist semiotic theories, the work of other theorists of semiotics such as Charles S. Pierce and Thomas A. Sebeok, to twentieth-century Russian literary texts, and to the cognitive sciences. Andrews grapples with Lotman's difficult, sometimes contradictory, theories of human language, perception, and memory, offering semioticians the opportunity to read the first sustained study of Lotman's work in English.

Author Biography

EDNA ANDREWS is a Professor of Slavic Linguistics and Cultural Anthropology at Duke University.

Table of Contents

Acknowledgments xi
Introduction xiii
PART ONE: LOTMAN'S CULTURAL SEMIOTIC THEORY
1 Lotman's Contributions to the Semiotics of Culture
3(10)
Lotman's Cultural and Intellectual Environment
5(5)
The Early Years
5(2)
The Tartu-Moscow Collaboration
7(2)
Lotman's Mature Years
9(1)
Fundamental Principles of the Tartu-Moscow School
10(3)
2 The Structure of Cultural Semiotic Systems
13(13)
Language or Languages? Minimum Requirements for Dynamic Cultural Space
17(1)
Language versus Code
17(1)
Communication Acts
17(1)
The Creation of Cultural Texts
18(3)
Lotman's Communication Model
18(1)
Jakobson's Communication Model
18(2)
Sebeok's Communication Model
20(1)
Binary or Triadic Signs
21(5)
3 Introduction to the Semiosphere
26(16)
Entropy and Communication
26(2)
Autocommunication
28(3)
Semiotic Space
31(4)
Continuity and Discontinuity
35(5)
Collective Memory
40(2)
4 Characteristics and Origins of the Semiosphere
42(31)
Characteristics of the Semiosphere
42(13)
Boundaries
46(2)
Tension and Explosion
48(5)
The Illusion of Continuity
53(2)
Origins of the Semiosphere
55(3)
Energy and Entropy in Semiotic Space
58(2)
Uexküll's Semiotic Model
60(5)
The Functioning Semiosphere
65(8)
Proper Names
65(1)
Metatexts
66(2)
Memory
68(5)
PART TWO: THE CONSTRUCTION OF SEMIOTIC SPACE IN VERBAL TEXTS
5 Lotman, Bulgakov, and Zamyatin
73(20)
Lotman on Bulgakov's Master and Margarita
74(3)
The Oppositions of Home
74(3)
The Artistic Text
77(3)
Artistic Spaces and Textual Dynamics
80(13)
Space and the Road
81(1)
Types of Infinity
82(2)
Florensky and Imaginary Space
84(2)
Bulgakov's Journey in Time and Space
86(7)
6 Bulgakov and Zamyatin
93(19)
Intertextuality and Revolution
93(1)
Zamyatin and Bulgakov
94(3)
Textual Links between Master and 'Drakon'
97(10)
Atemporal Reflections
107(1)
Construction and Intention in the Artistic Text
108(4)
7 Extending Lotmanian Theory
112(21)
Zamyatin and Heresy
113(1)
The Synthetic Texts in We
114(9)
Numerical Texts
115(3)
Mathematical Texts
118(5)
The Taylor Series
123(2)
Decoding of Multiple Texts
125(8)
PART THREE: SEMIOTIC THEORYAS A COGNITIVE SCIENCE
8 Visual and Auditory Signs in Human Language: Perception and Imagery
133(14)
Visual Categories in Semantic Structures
135(2)
The Functioning of the Visual Cortex
137(3)
Language Development and the Absence of Vision
140(2)
The Relationship between Visual and Auditory Signs
142(2)
Brain, Language, and Culture: The Construction of Meaning
144(3)
9 The Language of Memory in the Memory of Language
147(14)
Encoding and Decoding: Learning and Retrieval
148(5)
Semantic Memory and Priming
153(1)
Source Memory
154(1)
Collective Memory
155(2)
Interpretants and Memory
157(4)
Notes 161(18)
References 179(14)
Index 193

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