rent-now

Rent More, Save More! Use code: ECRENTAL

5% off 1 book, 7% off 2 books, 10% off 3+ books

9780415194532

Corpus Delecti: Performance Art of the Americas

by ;
  • ISBN13:

    9780415194532

  • ISBN10:

    0415194539

  • Format: Hardcover
  • Copyright: 1999-12-29
  • Publisher: Routledge

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping Icon Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • eCampus.com Logo Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $165.00 Save up to $124.08
  • Rent Book $117.56
    Add to Cart Free Shipping Icon Free Shipping

    TERM
    PRICE
    DUE
    USUALLY SHIPS IN 3-5 BUSINESS DAYS
    *This item is part of an exclusive publisher rental program and requires an additional convenience fee. This fee will be reflected in the shopping cart.

How To: Textbook Rental

Looking to rent a book? Rent Corpus Delecti: Performance Art of the Americas [ISBN: 9780415194532] for the semester, quarter, and short term or search our site for other textbooks by Fusco,Coco;Fusco,Coco. Renting a textbook can save you up to 90% from the cost of buying.

Summary

Corpus Delectiis an unprecedented event in the history of Latino performance art. Assembled and edited by one of the foremost practitioners and theorists in the field, it charts the extraordinary range of practices, narratives and theories which make up this unique area of contemporary performance. Using photos, scripts, essays and poetry,Corpus Delectiexplores the impact on performance of Latin American politics, popular culture, and syncretic religions. Nowhere else has such a vibrant and rich collection of writings and documents been fused into a comprehensive archive-volume. Fusco has brought together artists and scholars to bridge the theory/practice divide and to discuss a wide range of genres. They include: *body art *carpa *vaudeville *staged political protest *tropicalist musical comedies *the Chicano art movement *queer Latino performance Corpus Delectiprobes for the first time the specific contexts which have shaped Latino Americanperformance. It is at once a significant intervention into the history and analysis of contemporary art and an ensemble piece of textual and visual work to treasure. Contributors: Tania Bruguera, Maris Bustamante, Nao Bustamante, C. Ondine Chavoya, Rosalyn Constantino, Raquel Mendieta Costa, Angel Delgado, Ricardo Dominguez, Felipe Ehrenberg, Maria Elena Escalona, Coco Fusco, Maria Elena Gaitan, Guillermo Gomez-Pena, Maria Teresa Hincapie, May Joseph, Cesar Martinez, Aldo Menendez, Charles Merewether, Marta Minujin, Jose Munoz, Raphael Montanez Ortiz, Simone Osthoff, Silvia Pellarolo, Antonio Prieto-Stambaugh, Maria Elena Ramos, Nelly Richard, Lotty Rosenfeld, Leandro Soto, Merian Soto, Felix Gonzalez Torres, Carmelita Tropicana, Evelyn Velez-Aguayo.

Table of Contents

List of illustrations
viii
Introduction: Latin American Performance and the Reconquista of Civil Space
1(22)
Coco Fusco
Part I Heterotopic, Homoerotic, Hyper-Exotic Cabarets
The Melodramatic Seductions of Eva Peron
23(18)
Silvia Pellarolo
Chicas 2000: an excerpt
41(2)
Carmelita Tropicana
Exotic Exports: The Myth of the Mulatta
43(12)
Raquel Mendieta Costa
She is a Virgin and She Awaits You: an excerpt
55(4)
Maria Elena Escalona
The Beach is Nice
59(2)
Felix Gonzalez-Torres
Stuff!: an excerpt
61(2)
Coco Fusco
Nao Bustamante
Visibility as Strategy: Jesusa Rodriguez's Body in Play
63(16)
Roselyn Costantino
Border Brujo
79(2)
Guillermo Gomez-Pena
Oh Goya! Goya!: an excerpt
81(2)
Evelyn Velez-Aguayo
Camp, Carpa and Cross-Dressing in the Theater of Tito Vasconcelos
83(14)
Antonio Prieto
Memory Performance: Luis Alfaro's ``Cuerpo Politizado''
97(18)
Jose Esteban Munoz
The Adventures of Connie Chancla
115(1)
Maria Elena Gaitan
Architectures of Seeing
116(17)
May Joseph
Part II Ritualizing the Body Politic
Henny-Penny Piano Destruction Concert
133(1)
Rapheal Montanez Ortiz
From Inscription to Dissolution: An Essay on Expenditure in the Work of Ana Mendieta
134(19)
Charles Merewether
The Burden of Guilt
153(2)
Tania Bruguera
Una Cosa es una Cosa (A Thing is a Thing)
155(1)
Maria Teresa Hincapie
Lygia Clark and Helio Oiticica: A Legacy of Interactivity and Participation for a Telematic Future
156(19)
Simone Osthoff
Todos Mis Muertos (All My Dead Ones)
175(2)
Merian Soto
Embodying Venezuela
177(16)
Maria Elena Ramos
PerforMANcena
193(4)
Cesar Martinez
America the Beautiful
197(4)
Nao Bustamante
Part III Stepping Toward An Oppositional Public Sphere
Sunday, July 25, 1965
201(2)
Marta Minujin
Margins and Institutions: Performances of the Chilean Avanzada
203(16)
Nelly Richard
Operations (Work in Progress) Chile-England
219(2)
Lotty Rosenfeld
Las Yeguas del Apocalipsis (The Mares of the Apocalypse): The Equine Lips of Exile
221(2)
Francisco Casas
The Street and Its Conditions
223(2)
Felipe Ehrenberg
Non-Objective Arts In Mexico 1963-83
225(15)
Maris Bustamante
Orphans of Modernism: The Performance Art of Asco
240(26)
C. Ondine Chavoya
Baw/Taf
The End of the Line
265(1)
Performance in Cuba in the 1980s: A Personal Testimony
266(9)
Leandro Soto
Art Attack: The Work of ARTECALLE
275(8)
Aldo Damian Menendez
``1242900 (Parte I)''
283(2)
Angel Delgado
Electronic Disturbance Theater
285(2)
Ricardo Dominguez
Index 287

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program