Acknowledgments | p. vii |
Introduction | p. ix |
Tracing the Cosmetic Gaze: From Eighteenth Century Physiognomies to Racial Theories of the Third Reich | p. 1 |
The Concept of Kalókagatheia: "The Good and the Beautiful" | p. 5 |
Drawing an Instinctive Connection between Physical and Moral Beauty: Lavater's Physiognomy | p. 8 |
Lavater's Concept of Female Beauty: Devotion versus Masquerade | p. 13 |
Lavater's Influence on Nineteenth-Century Culture | p. 22 |
Darwinian Physiognomy, Eugenics, and Snapshots of Objectivity | p. 24 |
Deviant Bodies: Criminals and Women = Monsters | p. 29 |
Excising the Deviant during the Third Reich | p. 42 |
The Reveal: Understanding the New Physiognomy | p. 50 |
The Dark Side of Beauty: From Convulsive Beauty to Makeover Disfiguration | p. 61 |
Beauty's Irresistible Promise | p. 64 |
Nadja, or Beauty's Convulsiveness | p. 66 |
"The Birthmark" and Other Autobiographies of Ugliness | p. 70 |
From Visible to Invisible Monsters | p. 80 |
The Case of Michael Jackson and Other Makeover Beauty Victims | p. 88 |
The New Beauty, or the Survival of the Made Over | p. 97 |
Machinic Sutures: Twenty-First-Century Technologies of Beauty | p. 109 |
The Subtly Refreshed Look of Cosmetic Surgery | p. 111 |
Realism: "It Could Be Me!" | p. 119 |
The Swan: You Must Surrender | p. 126 |
E-FIT, or How to Draw a Suspect | p. 137 |
The Sims: Build, Buy, Live | p. 142 |
Self-ploitation, or When the Gaze Strikes Back | p. 147 |
Editing Women: The Cosmetic Gaze and Cinema | p. 151 |
Cinematic Anesthesia: Cosmetic Surgery and Film | p. 153 |
In My Skin and In the Cut: Two Accounts of Femininity | p. 164 |
Activating the Female Gaze | p. 174 |
The Spectator as Cocreator | p. 177 |
Conclusion: From the Male Gaze to the Cosmetic Gaze | p. 183 |
Notes | p. 185 |
Index | p. 219 |
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