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9780743228534

The Cowboy with the Tiffany Gun; A Novel

by
  • ISBN13:

    9780743228534

  • ISBN10:

    0743228537

  • Format: Hardcover
  • Copyright: 2003-07-22
  • Publisher: Simon & Schuster
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Summary

The cowboy is the American knight, so it would follow that tales of knighthood can provide the inspiration for stories about cowboys and the basis for this grand and dazzlingly innovative epic of the old American West by the celebrated author and screenwriter of Urban Cowboy.Inspired by Sir Percival's great quest for the Holy Grail, Aaron Latham has crafted a classic adventure story set among the tumbleweeds of the American West at the twilight of the nineteenth century. It is first and foremost the coming-of-age story of an innocent -- a fledgling cowboy, that singularly American update on the archetypal knight of old. Featuring characters from Latham's acclaimed Code of the West, The Cowboy with the Tiffany Gun is his most exhilarating performance yet.Our young hero is Percy -- but he prefers his nickname, Pyg, short for Percy York Goodnight. When he learns that the man called Loving has been shot and is near death, Percy and his mother, Revelie, rush away to be by Loving's side in Texas. Long ago, Revelie shared with Loving a bond of great passion.Mother and son arrive to find Loving gravely ill -- and to discover that an heirloom ax has disappeared from the ranch. According to Western lore, this was the very ax that Jimmy Goodnight, Percy's presumed father, once pulled out of an anvil. The ax was stolen from the cemetery, where it had been imbedded in Goodnight's tombstone. The stone is gone, too.Latham's historically authentic narrative takes off on a rousing gallop here as Pyg vows to find the ax and must face trials and calamities of a Biblical scale -- flood, fire, gunfights, and the devastating pestilence that changed the course of frontier history. Of Code of the West, James M. McPherson wrote that "Latham has pulled off the seemingly impossible."With The Cowboy with the Tiffany Gun, he has done it again.

Author Biography

Aaron Latham is a novelist, screenwriter, and playwright. He wrote the movie Urban Cowboy as well as Broadway's Urban Cowboy: The Musical. He is the author, most recently, of Code of the West. A contributor to Rolling Stone, Esquire, and The New York Times, he lives in New York.

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

Chapter 1 BOOM! Revelie ducked, then crouched. Emotions exploded in her head: She hated the sound of guns. She despised what guns could do. She loathed what she herself had done with a gun, for she had done the worst thing. Now this frightened man-killer found herself crouching at the feet of her son, who stood tall and fearless. Of course he wasn't afraid. He had never seen what guns were capable of because she had never allowed guns to come near him. She had carefully shielded him from their violence all his life. The mother understood why she was afraid -- while her boy was fearless -- but she still felt a little silly."Please help me up," said Revelie, extending her hand."Okay, Mumsy," said Percy, sounding younger than his seventeen years. Taking her hand, he lifted her gently. "Don't be ascared.""That's not a word, Percy. It's not in the dictionary. You must always speak correctly. Please."Soon mother and son were once again promenading along Atlantic Avenue, which skirted the Boston Harbor. They walked south with the water on their left."They're just playing," said Percy, "because it's the Fourth." He pointed. "See.""Percy, don't point," said his mother, who nonetheless looked in the direction he was pointing.Revelie saw a paddle-wheel steamship with a dozen cannon pointed right at her. Bright American flags with thirty-four stars waved above the ship's crowded decks. All hands had turned out to enjoy the sun and fire the cannon. She told herself that they were surely firing blanks, but she had a hard time believing it. She saw smoke. BOOM! This time she cringed instead of ducking. She told herself that she was making progress.Revelie -- who was still beautiful at forty-three years of age -- tried to concentrate on the beauty of the harbor scene. She was slightly taller than average. Her hair was now light brown with rare silver threads running through it. Her ample but tightly laced figure continued to conform to the hourglass ideal. Her legs were concealed under her ankle-length skirt.The harbor was filled with dozens of other ships with sails or steam engines -- even some with both -- all flying starry banners. Revelie picked out a favorite, a tall sailing ship with three masts and square sails. Sailors stood shoulder to shoulder on the great crossbars -- yardarms -- so they looked like birds on a wire. She hoped they wouldn't fall.Strolling along, they passed wharves, all of which had huge warehouses built on them: great, fat fingers of commerce reaching out into the harbor. First came Lewis Wharf, then Commercial Wharf, T Wharf, and the longest, Long Wharf. Slow horse-drawn wagons piled with goods rolled past them.BOOM! BOOM! BOOM!Revelie shuddered. She had always loved Boston because it was so civilized, so insulated from raw violence, ruled by law instead guns. Except on the Fourth, apparently. Guns had won the Revolution and guns were used to celebrate its victory. She understood it, but she didn't have to like it."Let's get out of here," said Percy."Thank you," said his mother.At India Wharf, they turned right and walked up India Street where they moved in the shadow of four-story, red-brick buildings. Their cobblestone path bent to the right. None of the streets were straight. They passed the Chamber of Commerce with its pointed roof that looked like a wizard's cap. At the Custom House -- a "Roman" temple with six fluted columns and a domed roof -- India Street ran into State Street and disappeared. A couple of blocks later, State changed its name to Court Street. These lanes were crooked, changeable things. Now buggies and carriages joined the wagons moving up and down the narrow streets."Be careful," said Revelie. "Don't get run over."Then she regretted her motherly timidity. The guns in the harbor had unnerved her."Don't worry," said Percy.But his mother couldn't he

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