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Acknowledgments | vii | ||
INTRODUCTION Westerns, U.S. History, and the Cold War | 1 | (18) | |
ONE Cowboys, Free Markets, Wyatt Earp, and Thomas Dunson: My Darling Clementine and Red River | 19 | (32) | |
TWO Melodrama and the Feminine Means to Empire: Duel in the Sun, Pursued, and Fort Apache | 51 | (43) | |
THREE Cold War Westerns and the Law of the Gun: Broken Arrow and The Gunfighter | 94 | (33) | |
FOUR Korea, Containment, and Nationalism: High Noon, Shane, and The Searchers | 127 | (37) | |
FIVE Modernization Theory, Political Discord, and Intervention: Gunfight at the OK Corral, The Magnificent Seven, and The Alamo | 164 | (41) | |
SIX Imperialist Nostalgia and the Road to Vietnam: Lonely Are the Brave, Ride the High Country, and The Man Who Shot Liberty Valance | 205 | (44) | |
Notes | 249 | (8) | |
Bibliography | 257 | (10) | |
Index | 267 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.