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Contributors | p. xi |
A Note on Orthography | p. xiii |
Introduction: Between Text and Context in the Evocation of Culture | p. 3 |
Textualising Histories and Identities in Cultural Performances | |
Peruvian Independence Day: Ritual, Memory, and the Erasure of Narrative | p. 21 |
Saint Rose through the Eyes of Her Devotees: From Flower of Lima to Mother of Carhuamayo | p. 45 |
The Art of Ethnic Militancy: Theatre and Indigenous Consciousness in Colombia | p. 55 |
Multiple Media: Ritual, Weaving, and the Making of Meanings | |
When Pebbles Move Mountains: lconicity and Symbolism in Quechua Ritual | p. 73 |
Cultural Transpositions: Writing about Rites in the Llama Corral | p. 85 |
Making Men in Her Own Image: Gender, Text, and Textile in Qaqachaka | p. 99 |
Inside the Text: Processes of Textualisation in Written Quechua Discourse | |
Spatial Reference and Speaker Orientation in Early Colonial Quechua | p. 135 |
Point of View and Evidentiality in the Huarochiri Texts (Peru, 17th Century) | p. 149 |
Orality and Literacies as Reflexes of Colonisation and Resistance | |
Writing from Within: Indigenous Epistolary Practices in the Colonial Period | p. 171 |
On the Margin: Letter Exchauge among Andean Non-Literates | p. 185 |
The Sound of Light: Emergent Communication through Quechua Shamanic Dialogue | p. 196 |
Glossary | p. 227 |
Bibliography | p. 231 |
Index | p. 247 |
Table of Contents provided by Syndetics. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.