Acknowledgments | |
Introduction to Critical Ethnography: Theory and Method | |
Positionality and Shades of Ethnography | |
Dialogue and the Other | |
The Method and Theory Nexus | |
Summary | |
Warm-Ups | |
Suggested Readings | |
Methods: "Do I Really Need a Method?" A Method ... or Deep Hanging-Out | |
"Who Am I?" Starting Where You Are | |
"Who Else Has Written About My Topic?" Being a Part of an Interpretive Community | |
The Power of Purpose: Bracketing Your Subject | |
Preparing for the Field: The Research Design and Lay Summary | |
Interviewing and Field Techniques | |
Formulating Questions | |
Extra Tips for Formulating Questions | |
Attributes of the Interviewer and Building Rapport | |
Coding and Logging Data | |
Warm-Ups | |
Suggested Readings | |
Three Stories: Case Studies in Critical Ethnography | |
Case One: Local Activism in West Africa | |
Case Two: Secrets of Sexuality and Personal Narrative | |
Case Three: Community Theatre Conflicts and Organization | |
Warm-Ups | |
Suggested Readings | |
Ethics | |
Defining Ethics | |
Critical Ethnography and the Ethics of Reason, the Greater Good, and the Other | |
Maria Lugones: Contemporary Ethics, Ethnography, and Loving Perception | |
Warm-Ups | |
Suggested Readings | |
Methods and Ethics | |
Codes of Ethics for Fieldwork | |
Extending the Codes | |
Warm-Ups | |
Suggested Readings | |
Methods and Application: Three Case Studies in Ethical Dilemmas | |
Case One: Local Activism in West Africa | |
Case Two: Secrets of Sexuality and Personal Narrative | |
Case Three: Community Theatre Conflicts and Organization | |
Warm-Ups | |
Suggested Readings | |
Performance Ethnography | |
Foundational Concepts in Performance and Social Theory | |
The Performance Interventions of Dwight Conquergood | |
Staging Ethnography and the Performance of Possibilities | |
Warm-Ups | |
Suggested Readings | |
It's Time to Write: Writing as Performance | |
Getting Started: In Search of the Muse | |
The Anxiety of Writing: Wild Mind and Monkey Mind | |
Writing as Performance and Performance as Writing | |
Warm-Ups | |
Suggested Readings | |
The Case Studies | |
Case One: Staging Cultural Performance | |
Case Two: Oral History and Performance | |
Case Three: The Fieldwork of Social Drama and Communitas | |
Warm-Ups | |
Suggested Readings | |
References | |
Index | |
About the Author | |
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