Introduction | |
Who's Been in My Closet? Mimetic Identification and the Psychosis of Class Transvestism in Single White Female | p. 3 |
Michael Jackson's Penis | p. 13 |
The Telephone and Its Queerness | p. 34 |
John Rechy and the Grammar of Ostentation | p. 59 |
Homodevotion | p. 71 |
Deviance and Dissidence: Sexual Subjects of the Cold War | p. 93 |
As the Master Saw Her | p. 112 |
Tango and the Postmodern Uses of Passion | p. 130 |
Hyphen-Nations | p. 149 |
"We Are Family": House Music and Queer Performativity | p. 165 |
Compulsory Homosociality: Charles Olson, Jack Spicer, and the Gender of Poetics | p. 197 |
Performing "Nature": Shamu at Sea World | p. 217 |
"If We Could Talk with the Animals": Elephants and Musical Performance during the French Revolution | p. 237 |
Notes on Contributors | p. 249 |
Index | p. 251 |
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