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Ariana Hernandez-Reguant is a cultural anthropologist and a professor of media studies at the University of California, San Diego. She is the author of many academic as well as popular articles on Cuban music, media, and intellectual thought. A Spanish native, she spent several years in Cuba during the Special Period.
Preface and Acknowledgments | p. vii |
About the Contributors | p. ix |
Writing the Special Period: An Introduction | p. 1 |
Foreign Commerce | |
Truths and Fictions: The Economics of Writing, 1994-1999 | p. 21 |
Filmmaking with Foreigners | p. 37 |
Spiritual Capital: Foreign Patronage and the Trafficking of Santeria | p. 51 |
Plural Nation | |
Multicubanidad | p. 69 |
Preemptive Nostalgia and La Batalla for Cuban Identity: Option Zero Theater | p. 89 |
Wandering in Russian | p. 105 |
The "Letter of the Year" and the Prophetics of Revolution | p. 123 |
Transnational Publics | |
El Rap Cubano: Can't Stop, Won't Stop the Movement! | p. 143 |
Audiovisual Remittances and Transnational Subjectivities | p. 159 |
Ending the Century with Memories...: Paper Money, Videos, and an X-Acto Knife for Cuban Art | p. 179 |
Bibliography | p. 197 |
Index | p. 221 |
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