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Jamie Sexton is Senior Lecturer in Film and Television Studies, Northumbria University, UK. He is the author of Alternative Film Culture in Inter-War Britain (2008), editor of Music, Sound and Multimedia: From the Live to the Virtual (2007), and co-editor (with Laura Mulvey) of Experimental British Television (2007).
Ernest Mathijs and Jamie Sexton are also co-editors of the book series Cultographies.
Acknowledgments | |
Introduction | |
Receptions and Debates | |
Cult Reception Contexts | |
The Cult Cinema Marketplace | |
Prestige, Awards and Festivals | |
Censorship and Criticism | |
Fandom and Subculture | |
The Cult Auteur | |
Cult Stardom | |
Camp and Paracinema | |
Transgression and Freakery | |
Gender and Sexuality | |
Transnationalism and Orientalism | |
Religion and Utopia | |
Themes and Genres | |
Exploitation and B Movies | |
Underground and AvantâÇôgarde Cinema | |
Cult Cinema and Drugs | |
Cult Cinema and Music | |
Classical Hollywood Cults | |
Cult Horror Cinema | |
Cult Science Fiction Cinema | |
Cult Blockbusters | |
Intertextuality and Irony | |
MetaâÇôCult | |
Table of Contents provided by Publisher. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.