This book represents a new wave of Caribbean cultural criticism and the author's unique approach is influenced both by his training in the humanities as well as from his experience as a p
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This book represents a new wave of Caribbean cultural criticism and the author's unique approach is influenced both by his training in the humanities as well as from his experience as a p
Acknowledgements | viii | ||
Track 1 Reading Culture as Multi-tracked | 1 | (9) | |
Track 2 Sounding Calypso's Muted Tracks, Past and Present: Barbados + St Lucia | 10 | (44) | |
Track 3 Towards a Caribbean Gospel Aesthetic | 54 | (37) | |
Track 4 Discourses on AIDS (+ Sex) in Caribbean Music | 91 | (24) | |
Track 5 Finding the New Hardcore in Caribbean Music | 115 | (33) | |
Track 6 Music Video to Web Streaming: Cultural Ventriloquism @ the Leading Edge | 148 | (35) | |
Track 7 The "Big Technology" Question | 183 | (39) | |
Notes | 222 | (15) | |
Bibliography | 237 | (8) | |
Discography | 245 | (4) | |
Index | 249 |
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