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Introduction | p. 1 |
Essays | |
Dada/Cinema? | p. 13 |
Leger's Ballet mecanique | p. 28 |
Anemic Vision in Duchamp: Cinema as Readymade | p. 46 |
Exploring the Discursive Field of the Surrealist Scenario Text | p. 58 |
Benjamin Fondane's "Scenarii intournables" | p. 72 |
Slit Screen | p. 86 |
Constellated Visions: Robert Desnos's and Man Ray's L'Etoile de mer | p. 99 |
The Image and the Spark: Dulac and Artaud Reviewed | p. 110 |
Dali and Un Chien andalou: The Nature of a Collaboration | p. 128 |
Un Chien andalou: The Talking Cure | p. 143 |
Between the Sign of the Scorpion and the Sign of the Cross: L'Age d'or | p. 159 |
Documentary Surrealism: On Land without Bread | p. 176 |
The Critical Grasp: Bunuelian Cinema and Its Critics | p. 199 |
Documents | p. 207 |
Robert Desnos's and Man Ray's Scenario for L'Etoile de mer | |
Bibliography on Dada and Surrealist Film | p. 220 |
Notes on Contributors | p. 255 |
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