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Introduction: Subject and Object
Chapter 1: A History of Ideas: Constructing Danish Modern
Chapter 2: Tradition and / or Modernism: Kaare Klint and Poul Henningsen
Chapter 3: On Chairness: Platonics and Tectonics
Chapter 4: Sculpting Articulations: Finn Juhl in 1949
Chapter 5: Weaving Abstractions: Vibeke Klint and Lis Ahlmann
Chapter 6: Hegelian Reading: Designing Community in the SAS Royal Hotel
Chapter 7: The Happening: Making Modern Contemporary (Again)
Chapter 8: Minimal Connections: Design as Art / Art as Design
Chapter 9: Thematizing Danish Modern: the Arts of Denmark Exhibition
Chapter 10: Viking Bracelets and Steampunk Eggs: Invariance or Timelessness?
Conclusions
Bibliography
Index
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