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Contents | |
Acknowledgments | |
Introduction: "Dystopia and Histories" | |
"Utopia in Dark Times: Optimism/Pessimism and Utopia/Dystopia" | |
"Genre Blending and the Critical Dystopia" | |
"The Writing of Utopia and the Feminist Critial Dystopia: Suzy MKee Charnas' Holdfast Series" | |
"Cyberpunk and Dystopia: Pat Cadigan's Networks" | |
Posthuman Bodies and Agency in Octavia Butler's Xenogenesis " | |
"'A useful knowledge of the present is rooted in the past': Memory and Historical Reconciliation in Ursula | |
The Telling Raffaella Baccolini | |
"'The moment is here...and it's important': State, Agency, and Dystopia in Kim | |
Antarctica and Ursula | |
The Telling " | |
"Unmasking the Real? Critique and Utopia in Recent SF Films" | |
"Where the Prospective Horizon is Omitted: Naturalism and Dystopia in Fight Club and Ghost Dog " | |
"Theses on Dystopia and Anti-Utopia" | |
"Concrete Dystopia: Slavery and its Others" | |
"The Problem of the 'Flawed Utopia': A Note on the Costs of Eutopia" | |
Conclusion: "Critical Dystopia and Possibilities" | |
Notes on Contributors | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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