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9780671035358

The Days of Summer; A Novel

by
  • ISBN13:

    9780671035358

  • ISBN10:

    0671035355

  • Format: Hardcover
  • Copyright: 2006-06-06
  • Publisher: Atria

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Supplemental Materials

What is included with this book?

Summary

Four-time RITA award nominee Barnett's riveting novel about one woman and the two men to whom she is tied by tragedy, love, and desire.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

Chapter One Southern California Warm and motionless nights were natural in LA, a place where so much of life was staged and the weather seldom competed for attention. Here, events and people stood in the limelight. On most nights, somewhere in the city, searchlights panned the sky; tonight, in front of the La Cienega Art Gallery. All the art show regulars were there in force, names from the society pages, old money and new, along with enough existentialist poets and bohemians to fill every coffeehouse from Hollywood to Hermosa Beach. Well-known art critics chatted about perspective and meaning, debated social message. They adored the artist, a vibrant, exotic woman whose huge canvases had violent splashes of color charging across them, and wrote about her work in effusive terms as bold as the work itself, likening her to the abstract expressionists Pollock and de Kooning. Rachel Espinosa was the darling of the LA art scene, and Rudy Banning's wife. Rudy came to the show late, after drinking all afternoon. His father was right: he was a sucker -- something that was easier to swallow if he chased it with a bottle of scotch. The searchlights were off when he parked his car outside the gallery. Once inside, he leaned against the front door to steady himself. A milky haze of cigarette smoke hovered over the colorless sea of black berets, gray fedoras, and French twists. In one corner, a small band played an odd arrangement of calypso and jazz -- Harry Belafonte meets Dave Brubeck. The booze flowed, cigarettes were stacked every few feet on tall silver stanchions, and the catering was Catalan -- unusual -- and done to propagate the lie that his wife, Rachel Maria-Teresa Antonia Espinosa, was pure Spanish aristocracy. This was her night, and her stamp was on the whole production. She stood near the back half of the room, under a canned light and in front of one of her largest and latest pieces,Ginsberg Howls.The crowd milled around her, but most managed to stay a few feet away, as if they were afraid to get too close to such an icon. A newspaper reporter for theLos Angeles Timesinterviewed her, while a staff photographer with rolled-up shirtsleeves circled around her, snapping photos with sharp, blinding flashes. Rachel turned on for the camera, striking a carefully choreographed pose Rudy had seen before: arm in the air, a martini glass with three cocktail onions in her hand. Tonight she wore bright orange. She knew her place in this room. Rudy helped himself to a drink from a cocktail tray carried by a passing waiter, then downed the whiskey before he was ten feet away from her. She didn't see him at first, but turned with instinctive suddenness and looked right at him. What passed between them was merely a ghost of what had been -- the days when one look across a room could evaporate everything around them. His wife's expression softened, until he set his empty drink on a passing tray and grabbed another full one, then raised the glass mockingly and drank it as she watched him, her look so carefully controlled. "Darling!" Rachel said quickly, then turned to the reporter. "Excuse me." She rushed forward hands outstretched. "Rudy!" When he didn't take her hands, she slid her arm through his and moved toward a corner. "You're late." "Really?" Rudy looked around. "What time was this charade supposed to start?" "You're drunk. You reek of scotch." She pulled him away from the crowd. "Are you trying to shove me off into a corner? I'm six foot four. A little hard to hide." Rudy stopped bullishly and turned so she was facing the room. "You crave attention so much. Look. People are staring." "Stop it!" Her voice was quiet and angry. "I know, Rachel." "Of course you know. No one force-fed you half a bottle of scotch." Her deep breath had a tired sound. "Dammit, Rudy. Do you have to ruin everything?" "Y

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