Dealing With The Visual

Summary

One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms.Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting.

List of Figures

vii

List of Contributors

xii

Acknowledgements

Introduction

(16)

Caroline van Eck

Edward Winters

Part One The Experience of the Visual in Art History, Aesthetics and Visual Culture

Visual culture and the history of art

(20)

David Peters Corbett

Space without hiding places: Merleau-Ponty's remarks on linear perspective

(19)

Renee van de Vall

Aesthetics and visual culture: looking at Andrew Pankhurst's Night Painting

(13)

Edward Winters

Ought painting be allowed to die?

(16)

Derek Matravers

Part Two Elucidating the Visual

Marcus Gheeraerdts's Captain Thomas Lee

(24)

Lucy Gent

Painting and visuality in Van Dyck's Self-Portrait with a Sunflower

109

(18)

John Peacock

Sacred contagion: secular jewellery and votive transvaluation at the Santa Casa, Loreto, 1720--1820

127

(22)

Marcia Pointon

Villas and vision: looking at Palladio's villas from the road

149

(18)

Lex Hermans

Staged experiences: the church designs of Nicholas Hawksmoor

167

(24)

Sophie Ploeg

The unreliable eye: the decline of vision as a reliable source of knowledge in Dutch architectural theory of the nineteenth century

191

(18)

Petra Brouwer

Mies van der Rohe -- drawing in space

209

(33)

Victoria Watson

Shadow, shading and outline in architectural engraving from Freart to Letarouilly

242

(42)

Nicholas Savage

Bibliography

284

(15)

Index

299

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