The Debba

by Mandelman, Avner

• ISBN13: 9781590513705
• ISBN10: 1590513703
• Edition: 1st
• Format: Trade Paper
• Copyright: 2010-07-13
• Publisher: Other Press

Summary

In Middle East lore the Debba is a mythical Arab hyena that can turn into a man who lures Jewish children away from their families to teach them the language of the beasts. To the Arabs he is a heroic national symbol; to the Jews he is a terrorist. To David Starkman, "The Debba" is a controversial play, written by his father the war hero, and performed only once, in Haifa in 1946, causing a massive riot. By 1977, David is living in Canada, having renounced his Israeli citizenship and withdrawn from his family, haunted by persistent nightmares about his catastrophic turn as a military assassin for Israel. Upon learning of his fatherrs"s gruesome murder, he returns to his homeland for what he hopes will be the final time. Back in Israel, David discovers that his father's will demands he stage the play within forty-five days of his death, and though he is reluctant to comply, the authoritiesrs" evident relief at his refusal convinces him he must persevere. With his fatherrs"s legacy on the line, David is forced to reimmerse himself in a life he thought hers"d escaped for good.The heart-stopping climax shows that nothing in Israel is as it appears, and not only are the sins of the fathers revisited upon the sons, but so are their virtues-and the latter are more terrible still. Disguised as a breathtaking thriller, Avner Mandelmanrs"s novel reveals Israelrs"s double soul, its inherent paradoxes, and its taste for both art and violence. The riddle of the Debba-the myth, the play, and the novel- is nothing less than the tangled riddle of Israel itself.

Author Biography

Avner Mandelman was born in Israel and served in the Israeli Air Force during the
Six-Day War. Two of his story collections have been published in Canada, and the
story collection Talking to the Enemy was published in the U.S. and chosen by Kirkus
as one of the twenty-five best books of 2005, and by the ALA as the first recipient of the Sophie Brody Medal for outstanding achievement in Jewish literature. Several of his stories have won awards in the U.S., Canada, and Israel, including being selected for the Pushcart Prize, and the Journey Prize. His short story, “Pity,” was selected for inclusion in The Best American Short Stories 1995. This is his first novel.

Excerpts

It was in Toronto in 1977, seven years after I had last seen him, that I learned of my father’s murder. When the phone rang I half expected to hear Aunt Rina’s
voice, inviting me to the Passover seder. Instead I heard the line crackle and a
faint voice said, “Starkman? David Starkman?”
In an instant I knew. “Ken?” I croaked in Hebrew—yes.
“This is Ya’akov Gelber. I am an attorney in Tel Aviv—”
“My father,” I said.
“I am afraid so.”             
   Perspiration broke out on my chin as Mr. Gelber said without preliminaries that my father had died. “You of course have my most profound sympathies,” he said in Hebrew, “but there are some…urgent matters to discuss, else I would not call you on the holiday.”
   It was only April but the Toronto weather was freakishly hot and my cheap one-room apartment on Spadina Avenue was baking in the heat. My sole white shirt, which I had put on for an evening out with Jenny, was soaking with sweat, as Jenny kept massaging my neck, the back of my head, the veins at my temples.  I again had a migraine after last night’s black dreams. It often hit me when evening fell, and so we rarely went out. I had hoped tonight would be better, but it wasn’t. I dabbed at my face with a dish towel and tried to concentrate on Mr. Gelber’s voice, which was explaining in my ear how someone had broken into my father’s shoe store the previous night while he was taking inventory, and following the robbery (an unsuccessful attempt, really, since nothing of value was taken), my father was stabbed in the heart with one of his own knives—the one used for cutting soles. “It was probably an Arab robber,” Mr. Gelber said, his voice neutral, “because the body was also mutilated.”

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Excerpted from The Debba by Avner Mandelman
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