Director's Foreword | p. 6 |
Foreword | p. 7 |
Acknowledgements | p. 9 |
Introduction | p. 11 |
Modernity, Figure, Metropolis: Importing the New Painting to Britain in the 1870s | p. 15 |
The Greatest Artist the World Has Ever Known | p. 51 |
Exporting Style and Decadence: The Exchanges of the 1890s | p. 95 |
Sickert and the Paris Art World | p. 155 |
Chronology | p. 202 |
The L'Absinthe Controversy | p. 208 |
Notes | p. 212 |
Select Bibliography | p. 216 |
Artists and Works in the Exhibition | p. 219 |
Lenders and Credits | p. 228 |
Index | p. 229 |
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