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Acknowledgements | p. vii |
List of Illustrations | p. viii |
Introduction: Deleuze and Guattari and Contemporary Art | p. 1 |
Politics | p. 13 |
The Politics of the Scream in a Threnody | p. 15 |
A Shift Towards the Unnameable | p. 34 |
The Heterogenesis of Fleeing | p. 43 |
Anita Fricek: Contemporary Painting as Institutional Critique | p. 63 |
The Aesthetic Paradigm | p. 83 |
Capitalism and Schizophrenia and Consensus: Of Relational Aesthetics | p. 85 |
The Practice and Anti-Dialectical Thought of an 'Anartist' | p. 100 |
Ethologies of Software Art: What Can a Digital Body of Code Do? | p. 116 |
Fractal Philosophy (And the Small Matter of Learning How to Listen): Attunement as the Task of Art | p. 133 |
Scenes and Encounters | p. 155 |
An Art Scene as Big as the Ritz: The Logic of Scenes | p. 157 |
Abstract Humour, Humorous Abstraction | p. 176 |
From Aesthetics to the Abstract Machine: Deleuze, Guattari and Contemporary Art Practice | p. 189 |
Traps Against Capture | p. 208 |
Technologies | p. 225 |
Sign and Information: On Anestis Logothetis' Graphical Notations | p. 227 |
Anti-Electra: Totemism and Schizogamy | p. 246 |
Unimaginable Happenings: Material Movements in the Plane of Composition | p. 266 |
Bloodcrystalpollenstar | p. 286 |
Notes on Contributors | p. 310 |
Index | p. 317 |
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