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9780826436429

Deleuze and World Cinemas

by
  • ISBN13:

    9780826436429

  • ISBN10:

    0826436420

  • Format: Paperback
  • Copyright: 2011-04-21
  • Publisher: Bloomsbury Academic
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Supplemental Materials

What is included with this book?

Summary

Brings Deleuze's writings on cinema into contact with world cinema, drawing on examples ranging from Georges Méliès to Michael Mann.

Author Biography

David Martin-Jones is Senior Lecturer in Film Studies at the University of St Andrews, Scotland. He is the author of Deleuze, Cinema and National Identity (2006), Deleuze Reframed (2008) and Scotland: Global Cinema (2009), and co-editor of Cinema at the Periphery (2010) and Deleuze and Film (forthcoming).

Table of Contents

Acknowledgementsp. ix
Introduction: Deterritorializing Deleuzep. 1
Attraction-Image
The Attraction-Image: From Georges Méliès to the Spaghetti Westernp. 23
Impossible Voyage (1904)
Django (1966)
Keoma (1976)
History: Deleuze After Dictatorship
The Child seer in and as History: Argentine Melodramap. 69
Kamchatka (2002)
Folding and Unfolding History: South Korean Time Travel Moviesp. 100
Calla (1999)
Ditto (2000)
2009: Lost Memories (2002)
Space: Geopolitics and the Action-Image
Not Just Any-space-whatever: Hong Kong and the Global/Local Action-Imagep. 133
Police Story (1985)
Globalization's Action Crystals: Los Angeles in Michael Mann Blockbustersp. 162
Heat (1995)
Collateral (2004)
Masala-Image
The Masala-Image: Popular Indian (Bollywood) Cinemap. 201
Toofani Tarzan (1936)
Awaara (1951)
Dilwale Dulhania Le Jayenge (1995)
Conclusion: The Continuing Adventures of Deleuze and World Cinemasp. 234
Notesp. 238
Select Bibliographyp. 259
Indexp. 265
Table of Contents provided by Ingram. All Rights Reserved.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

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