Introduction | p. 1 |
Details, Details | p. 6 |
The Telling Detail | |
How Details Drive the Story | |
Adding Details in Later Drafts | |
Engaging the Senses | |
Simile and Metaphor | |
The Virtue of Restraint | |
Wrap-Up | |
Showing and Telling | p. 18 |
What's the Difference? | |
Scene and Narrative | |
How to "Tell" | |
How to "Show" | |
When to Use Narratives, When to Use Scene | |
Wrap-Up | |
Description and Forward Motion | p. 38 |
How Stories Move | |
Creating Context | |
Forward Motion and Physical Description | |
Flashbacks and Their Problems | |
Flash-forwards | |
A Word on the Set Piece | |
Wrap-Up | |
Description and Dialogue | p. 66 |
Types of Dialogue | |
Conversations in Space | |
Overdescribing Dialogue | |
Implying Setting | |
Description by Omission | |
Wrap-Up | |
Description and Point of View | p. 84 |
First-Person Point of View | |
Second-Person Point of View | |
Third-Person Omniscient Point of View | |
Third-Person-Limited Point of View | |
Wrap-Up | |
Description and Style | p. 119 |
Choosing Description Style | |
When Content and Style Contrast | |
A Case for Minimalism | |
A Case for Maximalism | |
Avoiding Sentimentality and Melodrama | |
Wrap-Up | |
Description and Setting | p. 134 |
Details that Tell a Story | |
The Setting's History | |
Settings Large and Small | |
Problems with "Actual" Places | |
Wrap-Up | |
Special Description Problems | p. 146 |
Describing Animals | |
Describing Weather | |
Describing Emotion | |
Describing Sound | |
Wrap-Up | |
Tips and Tricks | p. 160 |
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