General Introduction 4000 words | |
Conceptualization | |
Introduction: 2000 words | |
"Branzi's Dilemma: Design in Contemporary Culture" 14.1 (Spring 1998): 3-20 | |
"Designing the Artificial: An Interdisciplinary Study" 17:2 (Spring 2001): 4-16 | |
"A Scenario for Design" 17:2 (Spring 2001): 4-16 | |
"Information and Reality at the Turn of the Century," 11:2 (Summer 1995): 21-30 | |
"Thorstein Veblen aat the University of Chicago and the Socialization of Aesthetics" 15:1 (Spring 1999): 3-15 | |
"Adolf Loos and the Aphoristic Style: Rhetorical Practice in Early Twentieth-Century Design Criticism" 16:2 (Summer 2000): 75-86 | |
"The things that Matter" 14:3 (Autumn 1998): 28-42 | |
"Domestication of Everyday Life Technology: Dynamic Views on the Social Histories of Artifacts" 13:3 (Autumn 1997): 52-65 | |
"Environmental Design and Industrial Design: Integrating Knowledge Around Urgent Issues" 14:3 (Autumn 1998): 74-84 | |
Annotated Guide to Further Reading | |
Fabrication | |
Introduction 1500 words | |
The Design of Objects | |
Introduction: 1000 words | |
"Simulated Seas: Exhibition Design in contemporary Aquariums" 11:2 (Summer 1995) 3-10 | |
"The Arts of War: Visual Presentation and National Intelligence" 12:2 (summer 1996): 3-21 | |
"'This is my Brain Book': Day Timers and Expedient Design" 12:2 Summer 1996: 40-46 | |
"The Design of the Connection Machine" 10:1 (Spring 1994): 5-18 | |
"Accidental Machines: The Impact of Popular Participation in Computer Technology" 14:1 (Spring 1998): 54-80 | |
"Typography and the Screen: A Technical Chronology of Digital Typography, 1984-1997" 16:3 (Autumn 2000): 19-34 | |
Material and Immaterial Things | |
Introduction: 1000 words | |
"History from Things: Notes on the History of Industrial Design" 14:3 (Autumn 1998): 43-64 | |
"Olympus and the Marketplace: Reyner Banham and Design Criticism" 13:2 (Summer 1997): 24-35 | |
"Visibility in Progress" 12:3 (Autumn 1996): 3-13 | |
"Softening Up the Facts: Engineers in Design Meetings" 17:3 (Summer 2001): 67-82 | |
"Fourth Order Design: A Practical Perspective" 12:1 (Spring 1996): 5-25 | |
Annotated Guide to Further Reading | |
Evaluation | |
Introduction 2000 words | |
"It's a Nice World After All: The Vision of Difference in Colors" 12:3 (Autumn 1996): 60-76 | |
"Design, Environment, and Social Quality: From 'Existenzminimum' to 'Quality Maximum'" 10:1 (spring 1994); 37-43 | |
"Values in Design: Existenzminimum, Maximum Quality, and Optimal Balance" 12:1 (Spring 1996): 38-47 | |
"Science, Semiotics, and Society: The Ulm Hochschule für Gestaltung in Retrospect" 14:2 (Summer 1998): 67-82 | |
"Ecological Design: A New Critique" 13: 2 (Summer 1997): 44-54 | |
"Biophilia and Technophilia: Examining the Nature/Culture Split in Design Theory" 13:3 (Autumn 1997): 37-44 | |
"Ethics, Aesthetics, and Design" 10:2 (Summer 1994): 49-68 | |
Annotated Guide to Further Reading | |
Consolidated Bibliography | |
Index | |
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