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Acknowledgements | p. ix |
Introduction | p. 1 |
An overview of social and emotional development | p. 1 |
How to use this book | p. 3 |
Theory for the Practitioner | |
Development in the Early Years: Some Important Concepts to Consider | p. 7 |
Rationale | p. 7 |
Positive psychology | p. 8 |
The concept of flow | p. 9 |
Neuroscience: understanding the brain | p. 10 |
Cognitive development | p. 11 |
Emotional development | p. 12 |
Early years learning | p. 14 |
Core elements of early years pedagogy | p. 15 |
The importance of play | p. 16 |
Final thoughts | p. 18 |
Stress, Concerns and Coping: The Worries of Young Children | p. 19 |
Rationale | p. 19 |
Setting the scene | p. 20 |
What is coping? | p. 22 |
Appraisal | p. 24 |
The organization of coping | p. 25 |
Coping and emotions | p. 26 |
A child's perspective | p. 28 |
A theoretical model of coping | p. 28 |
What we know about coping | p. 31 |
Coping and the early years | p. 32 |
How we can teach coping? | p. 32 |
Coping and social and emotional competence | p. 32 |
Assessing coping competencies in early years | p. 33 |
Final thoughts | p. 34 |
Situations and Coping Strategies: An Introduction to Coping Images | p. 35 |
Rationale | p. 35 |
Setting the scene | p. 36 |
From theory to practice | p. 37 |
Exploring coping in young children | p. 38 |
Coping categories | p. 39 |
The development of coping images | p. 40 |
Final thoughts | p. 45 |
Developing Coping Skills in a Universal Group: Teaching Coping Skills across Various Group Settings | p. 47 |
Rationale | p. 47 |
Setting the scene | p. 48 |
Mindset | p. 49 |
Elements to consider when working with a group | p. 52 |
Final thoughts | p. 57 |
Moving, Thinking, Doing: Applications and Activities Across Disciplines and Settings | |
Visual Arts: Developing Coping Skills through Art and Play | p. 61 |
Rationale | p. 61 |
Setting the scene | p. 61 |
Exemplars | p. 63 |
Final thoughts | p. 75 |
Dance: Learning Coping Skills through Music and Movement | p. 76 |
Rationale | p. 76 |
Setting the scene | p. 76 |
Psychological-social learning in dance | p. 78 |
A bounty of benefits | p. 80 |
Delving in dance | p. 80 |
Exemplars | p. 81 |
Final thoughts | p. 90 |
Music: Feeling, Creating and Coping with Sounds and Rhythms | p. 91 |
Rationale | p. 91 |
Setting the scene | p. 91 |
A sense of self: how music can support development? | p. 93 |
Responsibility for self and others: exploration through music | p. 95 |
Prosocial behaviour: developing through music | p. 96 |
Exemplars | p. 97 |
Final thoughts | p. 102 |
Literacy, Language, Words and Coping: Encouraging Social and Emotional Development through Narrative | p. 103 |
Rationale | p. 103 |
Setting the scene | p. 104 |
A case study | p. 104 |
Exemplars | p. 106 |
Final thoughts | p. 116 |
Developing Coping Skills in the Family Context: Harnessing the Strengths of a Family Group to Create Positive Outcomes for Young People | p. 117 |
Rationale | p. 117 |
Setting the scene | p. 118 |
Parent influences | p. 118 |
Stresses in the family | p. 120 |
What families can do to develop helpful coping skills? | p. 122 |
Exemplars | p. 123 |
Final thoughts | p. 128 |
Coping and Clinical Contexts: Supporting a Child Working with an External Health Professional | p. 130 |
Rationale | p. 130 |
Setting the scene | p. 131 |
Differentiation | p. 132 |
When to refer to a psychologist, counsellor, psychiatrist, social worker or related professional | p. 132 |
A clinician's perspective | p. 134 |
The impact of positive psychology in educational settings | p. 135 |
How to assist a child under the care of an external professional | p. 136 |
Supporting through the classroom | p. 136 |
A case study | p. 138 |
Using coping images to teach social skills | p. 139 |
Counselling | p. 141 |
Final thoughts | p. 142 |
References | p. 143 |
Index | p. 153 |
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