Griselda Pollock is Professor of Social and Critical Histories of Art, University of Leeds, and Director of the AHRB CentreCATH project. Her numerous books include Mary Cassatt, Vision and Difference: Femininity, Feminism, and Histories of Art and, as co-editor, Encountering Eva Hesse.
List of Illustrations | p. ix |
Acknowledgements | p. xi |
Series Preface-New Encounters: Arts, Cultures, Concepts | p. xiii |
Editors' Introduction | p. 1 |
Traumas of Code | p. 23 |
Of Mice and Mien: Or Perhaps of Mouses and Mien? (anyway with apologies to John Steinbeck) | p. 42 |
A Virtual Indication | p. 63 |
The Future Birth of the Affective Fact: The Political Ontology of Threat | p. 79 |
For a Comparative Film Studies | p. 93 |
Night Passage: The Depth of Time | p. 111 |
Tension, Time and Tenderness: Indexical Traces of Touch in Textiles | p. 134 |
Look, No Wires! Some Notes Around the Idea of a Sign (1, 2, Nothing) | p. 149 |
Airport | p. 167 |
Dossier: Mary Kelly Circa 1968 | p. 183 |
On Fidelity: Art, Politics, Passion and Event | p. 189 |
Legacies of Resistance | p. 194 |
Mary Kelly's Ballad of Kastriot Rexhepi: Virtual Trauma and Indexical Witness in the Age of Mediatic Spectacle | p. 200 |
Nomad-Words | p. 217 |
Notes | p. 237 |
Bibliography | p. 264 |
List of Contributors | p. 277 |
Index | p. 282 |
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