Introduction | p. 1 |
Cultural Heritage, the Crystallization of History | p. 1 |
Cultural Heritage Preservation and Its Objectives | p. 3 |
New Requirements of Digital Technologies for Heritage Preservation | p. 5 |
References | p. 6 |
The Basis of Digital Technologies for Cultural Heritage Preservation | p. 9 |
Basis of Information Acquisition and Perception | p. 9 |
Digital Photography and Processing | p. 10 |
3D Scanning and Processing | p. 12 |
3S Technology | p. 14 |
Sensing and Wireless Transmission | p. 16 |
Basis of Information Analysis and Recognition | p. 18 |
Image Processing | p. 18 |
Intelligent Information Processing | p. 22 |
Basis of Digital Exhibition and Interaction | p. 25 |
Animation | p. 25 |
Real-time Rendering | p. 27 |
Stereo Display | p. 29 |
Natural Interaction | p. 31 |
Summary | p. 32 |
References | p. 32 |
Digitalization of Cultural Heritage | p. 35 |
Information Acquisition from Archaeological Excavation Sites | p. 36 |
Preventing Loss of Information from Archaeological Sites | p. 36 |
Process and Technical Framework of Information Acquisition from Archaeological Excavation Sites | p. 37 |
Key Technologies for Information Acquisition from Archaeological Excavation Sites | p. 41 |
Typical System for Information Acquisition from Archaeological Excavation Sites and Applications | p. 44 |
Information Acquisition of Museum Preserved Sculptures and Artifacts | p. 44 |
Digital Technology Makes Sculptures and Artifacts Remain "Young Forever" | p. 45 |
Information Acquisition Process and Technical Framework for Museum Preserved Sculptures and Artifacts | p. 46 |
Key Technologies for Information Acquisition of Museum Preserved Sculptures and Artifacts | p. 48 |
Devices and Applications | p. 55 |
Information Acquisition from Large Scenes | p. 55 |
Process and Technical Framework of Large Scene Information Acquisition | p. 55 |
Key Technologies of Large Scene Information Acquisition | p. 56 |
Typical Applications | p. 61 |
Information Acquisition of Large Paintings and Murals | p. 63 |
Process and Technical Framework of Acquisition of Large Paintings and Murals | p. 63 |
Key Technologies for Information Acquisition of Large Paintings and Murals | p. 64 |
Typical Devices and Applications | p. 67 |
Summary and Prospects | p. 69 |
References | p. 70 |
Archaeological Research Aiding Technologies | p. 71 |
Digital Technology and Archaeological Research | p. 71 |
Process and Technical Framework of Archaeological Research Aiding | p. 72 |
Process of Archaeological Research Aiding Technologies | p. 72 |
Technical Framework of Archaeological Research Aiding Technologies | p. 73 |
Typical Applications | p. 82 |
Utilization of RS | p. 82 |
Digital Measurement of Large-size Archaeological Sites | p. 83 |
Computer Aided Bronze Ware Identification Expert System | p. 84 |
Reconstruction Simulation of Stilt Style Buildings of the Hemudu Site | p. 85 |
Summary and Prospects | p. 85 |
References | p. 87 |
Digitally Aided Conservation and Restoration of Cultural Heritages | p. 89 |
Digitally Aided Investigation | p. 90 |
Current Situation Investigation by Digitally Aided Technologies | p. 90 |
Process and Technical Framework of Digitally Aided Current Situation Investigation | p. 90 |
Key Technologies of Digitally Aided Investigation | p. 95 |
Typical Digitally Aided Current Situation Investigation System | p. 98 |
Dynamic Environmental Monitoring of Cultural Heritages | p. 99 |
Process and Technical Framework of Dynamic Environmental Monitoring | p. 100 |
Key Technologies of Dynamic Environmental Monitoring | p. 102 |
Typical Dynamic Environmental Monitoring System | p. 106 |
Digitally Aided Restoration of Cultural Heritages | p. 107 |
Process and Technical Framework of Digitally Aided Restoration | p. 107 |
Key Technologies in Digitally Aided Restoration | p. 109 |
An Introduction to Typical Application of Digitally Aided Conservation and Virtual Restoration | p. 115 |
Summary and Prospects | p. 118 |
References | p. 119 |
The Impact of Digital Technologies on the Exhibition of Cultural Heritages | p. 121 |
Online Heritage Exhibition | p. 122 |
Online Exhibitions Breaking Constraints of Time and Space | p. 123 |
Process and Technical Framework of Online Heritage Exhibitions | p. 123 |
Key Technologies for Online Heritage Browsing | p. 126 |
Typical Online Heritage Exhibition Applications | p. 132 |
Digital Exhibitions of Reconstructed Archaeological Sites | p. 135 |
Archaeological Sites Exhibition of Reconstructed Original Appearance | p. 135 |
Process and Technical Framework of a Digital Reconstruction Exhibition | p. 136 |
Key Technologies of Digital Reconstruction Exhibition | p. 138 |
Typical Applications for Digitized Reconstruction and Exhibition of Sites | p. 141 |
Interactive Experience in the Exhibition Hall | p. 144 |
Interactive Experience that Enhances a Sense of Participation | p. 145 |
Process and Technical Framework of the Interactive Experience in the Exhibition Hall | p. 146 |
Key Technologies of Interactive Experience in Exhibition Hall | p. 148 |
Typical Application of Interactive Experience System | p. 154 |
Summary and Prospects | p. 156 |
References | p. 157 |
Digital Development and Utilization of Cultural Heritages' Information | p. 159 |
Culture Heritages' Value | p. 160 |
Process and Technical Framework of Digital Development and Utilization | p. 162 |
Key Technologies for Development and Utilization | p. 166 |
Source Material Extraction | p. 166 |
Expression and Extraction of Ancient Murals' Artistic Style | p. 167 |
Artistic Style Learning Based Re-creation | p. 171 |
Computer-aided Imitation of Murals | p. 174 |
Introduction of Typical System for the Development and Utilization | p. 176 |
Computer Aided Art Design and Creating System | p. 177 |
Semantic Modeling for Chinese Ancient Buildings | p. 179 |
Summary and Prospects | p. 181 |
References | p. 181 |
Applications of Digital Preservation Technologies for Cultural Heritages | p. 183 |
Digital Preservation Project for the Mogao Grottoes | p. 184 |
Digital Acquisition of the Dunhuang Grottoes | p. 186 |
Microclimate Monitoring in the Mogao Grottoes | p. 188 |
Digitally-Aided Imitation of the Dunhuang Murals | p. 191 |
Color Simulation of the Dunhuang Murals | p. 192 |
Dunhuang-style Pattern Creation and Product Development | p. 192 |
Digital Preservation Project for the Jinsha Site | p. 196 |
Information Management and Sharing for Archaeological Sites | p. 196 |
Acquisition and Exhibition of the Excavation Field | p. 198 |
Digital Reconstruction Project of the Hemudu Site | p. 201 |
Digital Exhibition of the Liangzhu Relics | p. 204 |
Summary | p. 208 |
References | p. 209 |
Summary and Prospect | p. 211 |
Index | p. 215 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.