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Acknowledgments | p. xi |
Divagation: Approaching African-Canadian Literature (Again) | p. 3 |
Passport: Essays | p. 17 |
'This is no hearsay': Reading the Canadian Slave Narratives | p. 19 |
A.B. Walker and Anna Minerva Henderson: Two Afro-New Brunswick Responses to 'The Black Atlantic' | p. 30 |
Introducing a Distinct Genre of African-Canadian Literature: The Church Narrative | p. 46 |
Afro-Gynocentric Darwinism in the Drama of George Elroy Boyd | p. 58 |
Seeing through Race: Surveillance of Black Males in Jessome, Satirizing Black Stereotypes in James | p. 68 |
Raising Raced and Erased Executions in African-Canadian Literature: Or, Unearthing Angélique | p. 78 |
Let Us Compare Anthologies: Harmonizing the Founding African-Canadian and Italian-Canadian Literary Collections | p. 91 |
The Idea of Europe in African-Canadian Literature | p. 102 |
Does (Afro-) Caribbean-Canadian Literature Exist? In the Caribbean? | p. 116 |
Voluptuous Rapine: The Viscous Economy of 'Vice' in the Short Fiction of H. Nigel Thomas and Althea Prince | p. 132 |
Repatriating Arthur Nortje | p. 143 |
Locating the Early Dionne Brand: Landing a Voice | p. 154 |
Maxine Tynes: A Sounding and a Hearing | p. 164 |
Bring Da Noise: The Poetics of Performance, chez d 'bi.young and Oni Joseph | p. 176 |
Frederick Ward: Writing as Jazz | p. 190 |
Notes | p. 207 |
Bibliography | p. 275 |
Permissions | p. 301 |
Name Index | p. 309 |
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