Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
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The Way Frankie Sings | p. 3 |
Brooklyn Ts | p. 6 |
An Angel's Kiss | p. 10 |
Check a Box | p. 15 |
Making Beds | p. 19 |
Awakening | p. 23 |
Forgiveness | p. 28 |
An Address | p. 34 |
A Brief Outline of My Accomplishments | p. 38 |
First Love, Last Love | p. 45 |
Breaking Fast | p. 54 |
Jews Have No Business Being Enamored of Germans | p. 58 |
The Ins and Outs of Committing Adultery | p. 65 |
Sons of Enormously Wealthy Men | p. 69 |
Guilty as Sin | p. 76 |
The Only Son | p. 83 |
Separate Bags | p. 88 |
Keeping Track | p. 94 |
Beginning with Jealous Greek Goddesses | p. 100 |
Another Crime of Passion | p. 104 |
An Eye for What Looks Good | p. 108 |
Mary Magdalene and Company | p. 111 |
Matinee | p. 115 |
To Know the Extreme | p. 118 |
That Little Exchange | p. 122 |
Seven Tales of Famine | p. 126 |
Going for Distance | p. 133 |
Another Hunger | p. 138 |
Eye of the Needle | p. 142 |
An Out-of-Body Experience | p. 147 |
A Parable | p. 151 |
Mirror, Mirror | p. 154 |
Why Is a Good Question | p. 158 |
Part of My Other Life | p. 162 |
Haircut | p. 167 |
Under the Aegean Sky | p. 170 |
Recorded Messages | p. 176 |
From Inside the Bone | p. 180 |
Grandmother in Wolf's Clothing | p. 185 |
The Confidence Game | p. 191 |
Heart Failure | p. 194 |
In Black and White | p. 197 |
Early the Next Morning | p. 200 |
Forfeit the Kiss | p. 203 |
Everything Passes | p. 207 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.
I want to run, take up running for sport, maybe runmarathons. With this in mind, I buy an outfit: gym shorts,Lycra tank top. I also get a pair of Reeboks and one of thoseleather pouches to wear around my waist, to carry the essentials,like money and a lipstick.
Washington Square Park is where I choose to run. Notactually in, or through, the park but along its perimeter. I gothere at dusk when the purple sky, ushering in the cool of thenight, offers reprieve from the August heat.
He's leaning against the post of a street sign at the park'snortheast corner. He's dressed in black, but not like theswarms of young punks straining for decadent in rippedT-shirts and shredded denim. His clothes are snazzy, sharp.Lightweight gabardine trousers, a double-breasted linen sports jacket, like an old-time hood, a thug, a shadow cast. Abriefcase rests on the ground between his feet, and I assumeit's filled with packets of crisp money, or heroin, or a pistolwith a silencer -- the tool of a paid assassin. As I near him, Iwatch him watching me. His eyes follow me, and when I pass,I feel him checking out my behind.
On my second lap around the park, he is prepared. He's gota cigarette out, unlit, between his lips. His glance catchesmine, and he gestures the striking of a match. As a rule, runnersdon't smoke. Two steps away from him, a pair of teenageboys are smoking reefer. He could've asked them for a light.But it happens that along with money, a lipstick, and a pack ofPlayers, I've got a book of matches.
He looks on while I unzip my leather pouch as if it were mydress I were unzipping, as if I were doing something sexy. Ifork over the matchbook, and he looks at it, both sides.
I might as well take a cigarette break too, and he strikes amatch for me, cupping his hand around the flame. We stand there smoking, sizing each other up, but we don't speak. His steady gaze from beneath heavy eyelids leaves me somewhat unsure of myself, off balance. But I keep my chin raised, tilted a degree upward. I hold my eyes steady, firm like his, and I blow smoke rings because I don't want him suspecting I am a little bit afraid.
My cigarette is nearly done, and I drop it, snuff the emberwith my sneaker, and wait. I wait for him to say something,andhe lets me wait. Another minute of that, and I think the hell withhim. I'm about to take off, resume running, when he says, "Yourmatches." He holds them out for me to take. "Thanks for thelight. I appreciate it." His voice, his diction, the way he enunciates his syllables, punctuates his consonants is unmistakably Brooklyn, elegant. He speaks like Sinatra sings.
Running, I concluded, was not the sport for me. As something to do, I didn't care for it. The outfit is unattractive,and the experience of running around and around the park, with no destination, was all too reminiscent of a dog chasing its own tail.
Nonetheless, I return to the park at dusk. Not to run, butto prowl. I go looking for that man, that hit man, to find him ifI can.
That he should be exactly where I left him the night before,at the northeast corner of the park, is farfetched. Yet I am notat all surprised to find him there, leaning against the streetpost, hands behind his back. "Got a match?" I ask.
He brings his hands around, not to light my cigarette, butto produce a bouquet of flowers, the way a magician bringsdoves from a silk scarf or thin air. The flowers are red. "I neverdid anything like this before," he confesses.
The sun slips below the horizon. Night falls, and we walk. Itseems as if the city were deserted, as if he and I were the onlytwo people, alone together, out on the streets. Our footstepsecho.
We ask no questions.
"I've been waiting for you," he says. "My whole life I'vebeen waiting for you."
I hold the red flowers by the stems, and a wind rises uparound us, a warm wind, a summer wind.
A Disturbance in One Place
Excerpted from A Disturbance in One Place: A Novel by Binnie Kirshenbaum
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.