ACKNOWLEDGMENTS | ix | ||||
INTRODUCTION: Finding Space for the Composition Practicum | |||||
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1 | (34) | |||
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35 | (8) | |||
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43 | (24) | |||
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67 | (15) | |||
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82 | (16) | |||
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98 | (15) | |||
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113 | (28) | |||
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141 | (19) | |||
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160 | (23) | |||
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183 | (17) | |||
10 Theory in a TA Composition Pedagogy Course: Not If, but How | |||||
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200 | (14) | |||
11 Enacting Theory: The Practicum as the Site of Invention | |||||
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214 | (24) | |||
12 Burkean Ruminations on How, When, and Where Teacher Knowledge Originates | |||||
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238 | (18) | |||
13 The Teaching Practicum as a Site of Inquiry and Action | |||||
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256 | (10) | |||
14 The New Media Instructor: Cultural Capital and Writing Instruction | |||||
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266 | (18) | |||
15 Finding Myself Lost in the Composition Practicum Course | |||||
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284 | (17) | |||
16 Why Not Call It Practicum? It Is Practice | |||||
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301 | (14) | |||
17 The GTA Writing Portfolio: An Impact Study of Learning by Writing | |||||
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315 | (22) | |||
INDEX | 337 | (12) | |||
EDITOR | 349 | (2) | |||
CONTRIBUTORS | 351 |