Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Purchase Benefits
Introduction | 1 | (2) | |||
FERRÁN ADRIÀ | |||||
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3 | (6) | |||
JOSÉ ANDRÉS | |||||
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9 | (4) | |||
DAN BARBER | |||||
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13 | (6) | |||
MARIO BATALI | |||||
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19 | (7) | |||
MICHELLE BERNSTEIN | |||||
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26 | (6) | |||
HESTON BLUMENTHAL | |||||
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32 | (7) | |||
DANIEL BOULUD | |||||
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39 | (6) | |||
ANTHONY BOURDAIN | |||||
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45 | (17) | |||
JIMMY BRADLEY | |||||
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62 | (9) | |||
SCOTT BRYAN | |||||
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71 | (8) | |||
DAVID BURKE | |||||
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79 | (5) | |||
SAMUEL CLARK | |||||
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84 | (6) | |||
TOM COLICCHIO | |||||
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90 | (9) | |||
SCOTT CONANT | |||||
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99 | (5) | |||
TAMASIN DAY-LEWIS | |||||
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104 | (13) | |||
TOM DOUGLAS | |||||
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117 | (8) | |||
WYLIE DUFRESNE | |||||
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125 | (9) | |||
JONATHAN EISMANN | |||||
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134 | (7) | |||
CLAUDIA FLEMING | |||||
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141 | (6) | |||
GABRIELLE HAMILTON | |||||
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147 | (7) | |||
FERGUS HENDERSON | |||||
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154 | (4) | |||
PAUL KAHAN | |||||
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158 | (5) | |||
HUBERT KELLER | |||||
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163 | (7) | |||
GIORGIO LOCATELLI | |||||
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170 | (9) | |||
MICHAEL LOMONACO | |||||
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179 | (12) | |||
PING LUONGO | |||||
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191 | (16) | |||
MARY SUE MILLIKEN & SUSAN FENIGER | |||||
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207 | (8) | |||
SARA MOULTON | |||||
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215 | (6) | |||
TAMARA MURPHY | |||||
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221 | (6) | |||
CINDY PAWLCYN | |||||
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227 | (5) | |||
NEIL PERRY | |||||
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232 | (5) | |||
MICHEL RICHARD | |||||
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237 | (6) | |||
ERIC RIPERT | |||||
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243 | (7) | |||
ALAIN SAILHAC | |||||
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250 | (6) | |||
MARCUS SAMUELSSON | |||||
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256 | (9) | |||
BILL TELEPAN | |||||
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265 | (10) | |||
LAURENT TOURONDEL | |||||
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275 | (9) | |||
TOM VALENTI | |||||
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284 | (6) | |||
NORMAN VAN AKEN | |||||
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290 | (10) | |||
GEOFFREY ZAKARIAN | |||||
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300 | (7) | |||
Acknowledgments | 307 |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.
“In my long and checkered career I have been witness to, party to, and even singularly responsible for any number of screw-ups, missteps, and over-reaches. I am not Alain Ducasse. The focus of my career has not always been a relentless drive towards excellence. As a mostly journeyman chef, knocking around the restaurant business for twenty-eight years, I’ve witnessed some pretty ugly episodes of culinary disaster. I have seen an accidentally glass-laden breaded veal cutlet cause a customer to rise up in the middle of a crowded dining room and begin keening and screaming with pain as blood dribbled from his mouth. I’ve watched restaurants endure mid-dinner rush fires, floods rodent infiltration—as well as the more innocuous annoyances of used band-aids, tufts of hair, and industrial staples showing up in the Nicoise salad. Busboy stabbing busboy, customer beating up customer, waters duking it out on the dining room floor—I’ve seen it all. But never have a I seen such a shameful synergy of Truly Awful Things happen, and in such spectacular fashion, as on New Years Eve 1991, a date that surely deserves to live in New York restaurant infamy…”--Anthony Bourdain, “New Years Meltdown”
“My chef and I were charged with making one dish that night: Smoked salmon served with a thin sliver of avocado terrine. To make the terrine, you prepared a béchamel, then folded in an avocado puree. The mixture was poured into a mold and a gelatinous liquid was poured over it. It was then refrigerated so the gelatin would set up and suspend the beautiful puree. My chef took the salmon for himself and assigned me the terrine. Eagerly, I went to get some gelatin from the supply room, but discovered that all they had was the powdered variety. Having only used sheet gelatin, I turned the package over to read the instructions. On the back of the box there were what I’m sure were very helpful tips, written in not one but three languages: German, French, and Italian. This was about the time when I realized that this wasn’t going to be my day…”--Marcus Samuelsson, ‘The Big Chill”
Excerpted from Don't Try This at Home: Culinary Catastrophes from the World's Greatest Chefs
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.