Beginnings: Postmodern Tipping Points | p. 1 |
Spatial Ambiguity and the Early Modern/Postmodern in King Lear | p. 23 |
Metadrama, Authority, and the Roots of Incredulity | p. 45 |
Parody, Metatheatre, and the Postmodern Turn: A Secret History of Irish Drama | p. 61 |
Lost in the Dark: Performing the Postmodern Moment in Eugene O'Neill's The Emperor Jones | p. 85 |
Landscapes of Metatheatre: Gertrude Stein's Anticipation of the Postmodern | p. 109 |
"Nayman" No More: Reconsidering Samuel Beckett | p. 133 |
Tom Stoppard's Regressive Postmodernity: Tracking the Major Plays, From Rosencrantz and Guildenstern Are Dead to Indian Ink | p. 157 |
Elfriede Jelinek: Staging a Heideggerian Postmodern Debate in Totenauberg | p. 183 |
Staging the Audience: Peter Weiss' The Investigation | p. 207 |
Top Girls: Postmodern Imperfect | p. 231 |
"Pessimism of the Intellect-Optimism of the Will": Tony Kushner's Postmodern Aesthetic | p. 255 |
Postmodern Ethics in Mark Ravenhill's Some Explicit Polaroids | p. 283 |
The Rise and Fall of the Lad: Joe Penhall's Early Plays | p. 307 |
Utopia in absentia: Staging Possibilities in Kirk Lynn's WAR | p. 327 |
Beckett and the Stage Image: Toward a Poetics of Postmodern Performance | p. 351 |
List of Contributors | p. 371 |
Index | p. 375 |
Table of Contents provided by Blackwell. All Rights Reserved. |