Series Editor's Foreword | p. vii |
Foreword | p. ix |
Introduction: Brass Playing in the Early Twentieth Century: Idioms and Cultures of Performance | p. xi |
Trombone Idiom in the Twentieth Century: Classical, Jazz, and Hybrid Influences | p. 1 |
Who's on First, What's Second, and Where Did They Come From? The Social and Musical Textures of Early Jazz | p. 14 |
How the Jazz Artist Practices | p. 35 |
Struttin' with Some Brass: African American Transformations of the Trumpet | p. 41 |
An Interview with Trumpet Legends William Fielder and Joe Wilder | p. 49 |
Expanding Parameters on Brass Bands in Early New Orleans Jazz | p. 57 |
Performance Practice Techniques of the James Reese Europe Band | p. 64 |
Italian Jazz Trumpet Style: American and European Resonances during Fascism (1920-1940) | p. 73 |
"Like a String of Pearls": Reflections on the Role of Brass Instrumentalists in Jewish Instrumental Klezmer Music and the Trope of "Jewish Jazz" | p. 77 |
The Early Career of Spiegle Willcox: Influences to 1930 | p. 103 |
Louis Armstrong and the Origins of Jazz Improvisation | p. 125 |
The Blues and the Uptown Brass Bands of New Orleans | p. 133 |
Louis Armstrong, Bunk Johnson, and Jules Levy: The Art of "Tonation" | p. 143 |
Index | p. 155 |
About the Editor and Contributors | p. 165 |
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