Acknowledgements | |
Preface | |
Notes on the Contributors | |
List of Illustrations | |
Glimpses of Some Early Departments of the History of Art in the United States | |
Introduction to Part I | p. 5 |
Princeton: The Beginnings under Marquand | p. 7 |
Appendix I: Venturi's Letter to Marquand | p. 11 |
Appendix II: E. Baldwin Smith, The Study of the History of Art in the Colleges and Universities of the United States (1912) | p. 12 |
The Princeton Department in the Time of Morey | p. 37 |
An Undergraduate's Experience of Fine Arts at Harvard University in the 1920s | p. 43 |
Harvard and the Fogg | p. 47 |
The Harvard Fine Arts Department | p. 51 |
Harvard Postscript | p. 55 |
The Department of Art at Vassar: 1865-1931 | p. 57 |
The Study of Art at Smith College | p. 65 |
Arts at Yale University | p. 69 |
The Department of Fine Arts for Graduate Students at New York University | p. 73 |
History of Art at Columbia University | p. 79 |
Three Decades of Art History in the United States (1910-1940): Five Figures | |
Introduction to Part II | p. 87 |
Bernard Berenson | p. 89 |
Arthur Kingsley Porter: Life, Legend and Legacy | p. 97 |
Concerning Charles Rufus Morey (1877-1955) | p. 111 |
American Backgrounds: Fiske Kimball's Study of Architecture in the United States | p. 123 |
Richard Offner and the Ineffable: A Problem of Connoisseurship | p. 133 |
Institutionalizing Art History: The Early Discipline in the United States | |
Introduction to Part III | p. 147 |
The Departments of Art, Wellesley College, and the History of Art and Classical Archaeology, Bryn Mawr College, 1875-1914 | p. 151 |
The Beginnings of Art History at Harvard and the "Fogg Method" | p. 161 |
Formulating Art History at Princeton and the "Humanistic Laboratory" | p. 175 |
Virtue and Good Manners: Toward a History of Art History Instruction | p. 183 |
Index | p. 195 |
Plates | p. 207 |
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