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9780618470259

Easter Rising : An Irish American Coming up from Under

by
  • ISBN13:

    9780618470259

  • ISBN10:

    0618470255

  • Format: Hardcover
  • Copyright: 2006-09-27
  • Publisher: Houghton Mifflin Harcourt

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Summary

A powerfully redemptive story of escape from the Irish American ghetto. Michael Patrick MacDonald's All Souls: A Family Story from Southie told the story of the loss of four of his siblings to the violence, poverty, and gangsterism of Boston's Irish American ghetto. The question "How did you get out?" has haunted MacDonald ever since. In response he has written this new book, a searingly honest story of reinvention that begins with young MacDonald's breakaway from the soul-crushing walls of Southie's Old Colony housing project and ends with two healing journeys to Ireland that are unlike anything in Irish American literature. The story begins with MacDonald's first urgent forays outside Southie, into Boston and eventually to New York's East Village, where he becomes part of the club scene swirling around Johnny Rotten, Mission of Burma, the Clash, and other groups. MacDonald's one-of-a-kind 1980s social history gives us a powerful glimpse of what punk music is for him: a lifesaving form of subversion and self-education. But family tragedies draw him home again, where trauma and guilt lead to an emotional collapse. In a harrowing yet hilarious scene of self-discovery, MacDonald meets his father for the first time -- much too late. After this spectacularly failed attempt to connect, MacDonald travels to Ireland, first as an alienated young man who has learned to hate shamrocks with a passion, and then on a second trip with his extraordinary "Ma," a roots journey laced with both rebellion and profound redemption.

Author Biography

Michael Patrick MacDonald helped launch Boston’s successful gun-buyback program and is founder of the South Boston Vigil Group. He has won the American Book Award, a New England Literary Lights Award, and the Myers Center Outstanding Book Award administered by the Myers Center for the Study of Bigotry and Human Rights in North America. His second book, the highly acclaimed memoir Easter Rising, was published in 2006, and will be available in paperback from Houghton Mifflin in March, 2008. He is currently writing the screenplay of All Souls for director Ron Shelton. MacDonald lives in Brooklyn.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

I learned to jump subway fares by tagging along with my brother Kevin and his friends on shoplifting ventures outside the project. Downtown Boston was only three stops but worlds away from Old Colony Project. I was ten, and Southies busing riots of the past two years had now dissipated into the occasional scuffle with the police. Still, everyone in our neighborhood always said how dangerous it was to leave. It was still the world against Southie and Southie against the world. So for me there was a terrifying thrill in leaving the neighborhood at all. The more I snuck on those trains, the more it felt like traveling to another country, like I was a tourist about to see strange lands and stranger people for the very first time. At first our technique was basic. Wed wait at the top of the stairs of Andrew Station until we heard a train arriving, then dart down the stairs, hop over the turnstiles, and bolt for the trains doors. By the time we were lined up at the four turnstiles, the train would be just making its final wshhhh sound, which Kevin said was the air releasing from the brake cylinder. Wed each lift off, hands on either side of the turnstile, and drive our legs over the bars feet first, landing as far out as we could. By the time we landed, the fare taker would be screaming and knocking on his scratched and blurry Plexiglas windows, mouthing what I imagined was You little fucks! Right about then I knew we would hear the train doors open with a collective rumble. If we did it according to Kevins exact timing if we started running downstairs at just the right moment, when the train was first coming to a halt with a long screech of the brakes wed usually make it inside just before we felt the suction of the doors closing behind us. No one ever chased after us in the early days, so we probably didnt have to turn it into the heart-racing caper it always felt like. But it was great each time to feel the breeze of those clackety doors nearly catching my shirt. Id take a deep breath in relief, and then in expectation. If the train we hopped came from the suburbs, it would be one of the brand-new modern ones, carrying all whites. But if it had come from Dorchester it would be one of the old, rundown ones and filled with blacks. I would go off by myself to grab a seat and silently take in all the newness, black or white. But my brother Kevin seemed interested only in getting the fuck in, and getting the fuck out back to Southie. To him we were on a mission, and he was all business. Hed make me stand up so that we were all sticking together. Hed keep us huddled around him while he told us what to do and what not to do around all these dangerous blacks and goofy- looking white people from the world that was not Southie. And hed whack me in the head every time I snuck a glance at the people he was talking about. But after a few minutes our huddle would fall apart. As we tried to keep our feet firmly planted on the bumpy ride, I always seemed to ha

Excerpted from Easter Rising: An Irish American Coming up from Under by Michael Patrick MacDonald
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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