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viii | ||||
Preface | x | ||||
Acknowledgements | xiv | ||||
Part I Communication theories | |||||
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3 | (25) | |||
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28 | (16) | |||
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44 | (9) | |||
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53 | (14) | |||
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Part II Learning in museums | |||||
|
67 | (6) | |||
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73 | (7) | |||
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80 | (12) | |||
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92 | (7) | |||
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99 | (6) | |||
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105 | (5) | |||
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110 | (8) | |||
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118 | (13) | |||
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131 | (6) | |||
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Part III Developing effective exhibitions | |||||
|
137 | (9) | |||
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146 | (15) | |||
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161 | (11) | |||
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172 | (19) | |||
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178 | (13) | |||
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191 | (10) | |||
|
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201 | (4) | |||
|
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205 | (6) | |||
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|
211 | (4) | |||
|
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215 | (8) | |||
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223 | (18) | |||
|
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|
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Part IV Thinking about museum audiences | |||||
|
241 | (14) | |||
|
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255 | (14) | |||
|
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269 | (9) | |||
|
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|
278 | (10) | |||
|
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|
288 | (7) | |||
|
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|
295 | (3) | |||
|
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298 | (4) | |||
|
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|
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|
302 | (3) | |||
|
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305 | (7) | |||
|
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312 | (8) | |||
|
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|
320 | (12) | |||
|
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|
332 | (5) | |||
|
|||||
Index | 337 |
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