Contributors | p. xi |
Introduction | p. 1 |
Unstable compounds: Bowen's Beckettian affinities | p. 13 |
'How to measure this unaccountable darkness between the trees': the strange relation of style and meaning in The Last September | p. 34 |
Dead letters and living things: historical ethics in The House in Paris and The Death of the Heart | p. 61 |
Mumbo-jumbo: the haunted world of The Little Girls | p. 83 |
'She-ward bound': Elizabeth Bowen as a sensationalist writer | p. 96 |
Territory, space, modernity: Elizabeth Bowen's The Demon Lover and Other Stories and wartime London | p. 113 |
Narrative, meaning and agency in The Heat of the Day | p. 132 |
Notes | p. 149 |
Bibliography | p. 159 |
Index | p. 167 |
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