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Acknowledgments | p. ix |
Introduction: Pessoa's Bodies | p. 3 |
Corporeal Investigations | |
To Pretend Is to Know Oneself | p. 39 |
Strength, Contemplation, and Disquiet: Towards a Corporeal Aesthetic of the Heteronyms | p. 52 |
Unburied Bodies: Abdication and Art Production in The Book of Disquiet | p. 71 |
Reading Pessoa Queerly | |
Fernando Pessoa: The Homoerotic Drama | p. 103 |
Fernando Pessoa, He Had His Nerve | p. 124 |
'Ever-repositioned mysteries': Homosexuality and Heteronymity in 'Antinous' | p. 149 |
(Dis)Placing Women | |
The Truant Muse and the Poet's Body | p. 181 |
Kissing All Whores: Displaced Women and the Poetics of Modernity in Alvaro de Campos | p. 201 |
Together at Last: Reading the Love Letters of Ophelia Queiroz and Fernando Pessoa | p. 224 |
Pessoa in Performance | |
Appearances of the Author | p. 245 |
Automatic Romance: Pessoa's Mediumistic Writings as Sexual Theatre | p. 258 |
Antonio Tabucchi in Search of Pessoa's Heteronymous Body | p. 273 |
Contributors | p. 293 |
Index | p. 297 |
Table of Contents provided by Ingram. All Rights Reserved. |
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