rent-now

Rent More, Save More! Use code: ECRENTAL

5% off 1 book, 7% off 2 books, 10% off 3+ books

9780817356545

Enacting History

by ;
  • ISBN13:

    9780817356545

  • ISBN10:

    0817356541

  • Format: Paperback
  • Copyright: 2011-03-18
  • Publisher: Univ of Alabama Pr

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping Icon Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • eCampus.com Logo Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $29.95 Save up to $13.78
  • Rent Book $16.17
    Add to Cart Free Shipping Icon Free Shipping

    TERM
    PRICE
    DUE
    USUALLY SHIPS IN 24-48 HOURS
    *This item is part of an exclusive publisher rental program and requires an additional convenience fee. This fee will be reflected in the shopping cart.

How To: Textbook Rental

Looking to rent a book? Rent Enacting History [ISBN: 9780817356545] for the semester, quarter, and short term or search our site for other textbooks by Magelssen, Scott; Justice-malloy, Rhona. Renting a textbook can save you up to 90% from the cost of buying.

Summary

Enacting Historyis a collection of new essays exploring the world of historical performances. The volume focuses on performances outside the traditional sphere of theatre, among them living history museums, battle reenactments, pageants, renaissance festivals, and adventure-tourism destinations. This volume argues that the recent surge in such performances have raised significant questions about the need for, interest in, and value of such nontraditional theater. Many of these performances claim a greater or lesser degree of historical ;accuracy ; or ;authenticity, ; and the authors tease out the representational and historiographic issues related to these arguments. How, for instance, are issues of race, ethnicity, and gender dealt with at museums that purport to be accurate windows into the past? How are politics and labor issues handled in local- or state-funded institutions that rely on volunteer performers? How do tourists' expectations shape the choices made by would-be purveyors of the past? Where do matters of taste or censorship enter in when reconciling the archival evidence with a family-friendly mission? Essays in the collection address, among other subjects, reenactments of period cookery and cuisine at a Maryland renaissance festival; the roles of women as represented at Minnesota's premiere living history museum, Historic Fort Snelling; and the Lewis and Clark bicentennial play as cultural commemoration. The editors argue that historical performances like these-regardless of their truth-telling claims-are an important means to communicate, document, and even shape history, and allow for a level of participation and accessibility that is unique to performance. Enacting History is an entertaining and informative account of the public's fascination with acting out and watching history and of the diverse methods of fulfilling this need. Contributors Leigh Clemons / Catherine Hughes / Rhona Justice-Malloy / Kimberly Tony Korol-Evans / Lindsay Adamson Livingston / Scott Magelssen / Aili McGill / Richard L. Poole / Amy M. Tyson / Patricia Ybarra

Author Biography

Scott Magelssen is an associate professor of theatre at Bowling Green State University, author of Living History Museums: Undoing History through Performance, and editor of the Journal of Dramatic Theory and Criticism. Rhona Justice-Malloy is professor of theatre arts at the University of Mississippi, editor of Theatre History Studies, and past president of the Mid-American Theatre Conference.

Table of Contents

List of Illustrationsp. vii
Acknowledgmentsp. xi
Introductionp. 1
Present Enacting Past: The Functions of Battle Reenacting in Historical Representationp. 10
ôThis Is the Placeö: Performance and the Production of Space in Mormon Cultural Memoryp. 22
Men with Their Muskets and Me in My Bare Feet: Performing History and Policing Gender at Historic Fort Snelling Living History Museump. 41
History, Archive, Memory, and Performance: The Lewis and Clark Bicentennial Play as Cultural Commemorationp. 66
Defining Museum Theater at Conner Prairiep. 88
Performing History as Memorialization: Thinking with … And Jesus Moonwalks the Mississippi and Brown University's Slavery and Justice Committeep. 113
Is That Real? An Exploration of What Is Real in a Performance Based on Historyp. 134
Dinner: Impossible-ôMedieval Mayhemö at the Maryland Renaissance Festivalp. 153
Tourist Performance in the Twenty-first Centuryp. 174
Ping Chong & Company's Undesirable Elements/Secret Histories in Oxford, Mississippip. 203
List of Contributorsp. 229
Table of Contents provided by Ingram. All Rights Reserved.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program