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9780314252043

Entertainment, Media, and the Law : Text, Cases and Problems

by
  • ISBN13:

    9780314252043

  • ISBN10:

    0314252045

  • Edition: 2nd
  • Format: Hardcover
  • Copyright: 2002-06-01
  • Publisher: West Academic

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Summary

Thoughtfully edited cases to highlight the court's reasoning on the key points at issue make covering the material feasible in a one-term course. And to help readers appreciate the significance of the court decisions, over half the book consists of text that describes the evolution and current state of both the entertainment industry and the relevant legal doctrines. Provides lively accounts of how home video transformed the film industry when a last-minute switch in votes on the Supreme Court made copying TV shows for private consumption a legal "fair use," and how Hollywood unions solved the problem of artistic credits but were unable to counter the attack on the Hollywood Ten.

Table of Contents

Preface v
Table of Cases
xix
Prologue: Speech for Fun and Profit 1(9)
PART ONE. LEGAL RESTRAINTS ON ENTERTAINMENT STORIES
Sex and Violence in Entertainment and the Law
10(96)
Entertainment and the First Amendment
13(19)
Entertaining Sex
32(31)
Entertaining Violence
63(25)
Self Regulation by the Entertainment Industry
88(18)
Entertaining the Public With Individual Lives
106(78)
Defamation
109(13)
Infliction of Emotional Distress
122(5)
Privacy: Intrusion on Solitude
127(20)
Public Disclosure of Embarrassing Personal Facts
147(11)
False Light Portrayals
158(8)
Public Figures Under Defamation and Privacy Law
166(18)
Celebrity Publicity Rights
184(86)
Evolution and Nature of Publicity Rights
185(12)
Publicity Rights and Entertainment Shows
197(18)
Criminal Celebrities
215(14)
Celebrity Publicity as a Marketing Vehicle
229(27)
Who Owns Publicity and its Value
256(14)
PART TWO. INTELLECTUAL PROPERTY IN ENTERTAINMENT ASSETS
Elements of Copyright Protection
270(95)
Copyrightable Works
275(16)
Infringement
291(32)
Unprotectable Story Parts
323(12)
Fair and Unfair Uses of Entertainment Works
335(30)
Entertainment Innovations and Intellectual Property
365(95)
Fair Use and Home Video
366(19)
Fair Use on the Internet
385(18)
Performance Rights in Songs
403(9)
Digital Sampling and Imaging
412(9)
Copyright Ownership
421(13)
Copyright Licensing
434(15)
Enforcing Copyright
449(11)
Alternative Sources of Entertainment Property Rights
460(98)
Artistic Credit
460(14)
Moral Rights and Creator Control
474(23)
Trademark Instead of Copyright
497(32)
Contract Rights in Story Ideas
529(29)
PART THREE. CONTRACTUAL RELATIONS IN THE ENTERTAINMENT INDUSTRY
Contract Formation and Duration
558(73)
Contract Formality: The Movie World
560(21)
Definiteness
581(7)
Consideration and Mutuality
588(9)
Contract Parties: Minors
597(7)
Duration
604(16)
Bankruptcy
620(11)
Entertainment Contract Obligations
631(75)
Performer/Author Obligations
632(23)
Studio-Publisher Obligations
655(21)
Royalties and Profits
676(30)
Entertainment Contract Remedies and Liabilities
706(51)
Injunctive Enforcement of Personal Service Contracts
706(21)
Damages for Contract Breach
727(30)
Entertainer Representation and Regulation
757(65)
State Regulation of Entertainer Representatives
765(21)
Conflict of Interest in Entertainer Representation
786(24)
Union Regulation of Entertainer Representation
810(12)
PART FOUR. INDUSTRY ORGANIZATION, ECONOMIC POWER, AND LEGAL REGULATION IN THE ENTERTAINMENT WORLD
Performer Organization
822(88)
The Entertainer Labor Market
823(7)
Labor Law in the Entertainment World
830(9)
Labor Solidarity and Entertainment Hyphenates
839(5)
Judicial Control of Entertainment Labor Power
844(22)
Contingent Workers: Employees or Contractors
866(12)
Performing Rights Societies
878(5)
Antitrust Challenges to Performing Rights Societies
883(27)
Entertainment Conglomerates Under Corporate and Antitrust Law
910(79)
Paramount and Corporate Takeover Law
913(12)
Antitrust Law Reshapes the Movie Business
925(23)
Post-Paramount Motion Picture Practices
948(17)
Movie Industry Integration Revisited
965(24)
Entertainment in a New Telecommunications World
989(74)
Financial Interest and Syndication Rules
995(17)
Broadcast Speech, Cable Distribution, and ``Must Carry''
1012(26)
Pursuing Diversity in the Broadcast Industry
1038(21)
A New Spectrum for this New Millenium
1059(4)
Epilogue: Entertainment in International Trade 1063(16)
Index 1079

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