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Preface | v | ||||
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xix | ||||
Prologue: Speech for Fun and Profit | 1 | (9) | |||
PART ONE. LEGAL RESTRAINTS ON ENTERTAINMENT STORIES | |||||
|
10 | (96) | |||
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13 | (19) | |||
|
32 | (31) | |||
|
63 | (25) | |||
|
88 | (18) | |||
|
106 | (78) | |||
|
109 | (13) | |||
|
122 | (5) | |||
|
127 | (20) | |||
|
147 | (11) | |||
|
158 | (8) | |||
|
166 | (18) | |||
|
184 | (86) | |||
|
185 | (12) | |||
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197 | (18) | |||
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215 | (14) | |||
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229 | (27) | |||
|
256 | (14) | |||
PART TWO. INTELLECTUAL PROPERTY IN ENTERTAINMENT ASSETS | |||||
|
270 | (95) | |||
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275 | (16) | |||
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291 | (32) | |||
|
323 | (12) | |||
|
335 | (30) | |||
|
365 | (95) | |||
|
366 | (19) | |||
|
385 | (18) | |||
|
403 | (9) | |||
|
412 | (9) | |||
|
421 | (13) | |||
|
434 | (15) | |||
|
449 | (11) | |||
|
460 | (98) | |||
|
460 | (14) | |||
|
474 | (23) | |||
|
497 | (32) | |||
|
529 | (29) | |||
PART THREE. CONTRACTUAL RELATIONS IN THE ENTERTAINMENT INDUSTRY | |||||
|
558 | (73) | |||
|
560 | (21) | |||
|
581 | (7) | |||
|
588 | (9) | |||
|
597 | (7) | |||
|
604 | (16) | |||
|
620 | (11) | |||
|
631 | (75) | |||
|
632 | (23) | |||
|
655 | (21) | |||
|
676 | (30) | |||
|
706 | (51) | |||
|
706 | (21) | |||
|
727 | (30) | |||
|
757 | (65) | |||
|
765 | (21) | |||
|
786 | (24) | |||
|
810 | (12) | |||
PART FOUR. INDUSTRY ORGANIZATION, ECONOMIC POWER, AND LEGAL REGULATION IN THE ENTERTAINMENT WORLD | |||||
|
822 | (88) | |||
|
823 | (7) | |||
|
830 | (9) | |||
|
839 | (5) | |||
|
844 | (22) | |||
|
866 | (12) | |||
|
878 | (5) | |||
|
883 | (27) | |||
|
910 | (79) | |||
|
913 | (12) | |||
|
925 | (23) | |||
|
948 | (17) | |||
|
965 | (24) | |||
|
989 | (74) | |||
|
995 | (17) | |||
|
1012 | (26) | |||
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1038 | (21) | |||
|
1059 | (4) | |||
Epilogue: Entertainment in International Trade | 1063 | (16) | |||
Index | 1079 |
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