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9780805845525

Entertainment-Education and Social Change: History, Research, and Practice

by ;
  • ISBN13:

    9780805845525

  • ISBN10:

    0805845526

  • Format: Hardcover
  • Copyright: 2003-11-01
  • Publisher: Routledge

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Summary

Entertainment-Education and Social Changeintroduces readers to entertainment-education (E-E) literature from multiple perspectives. This distinctive collection covers the history of entertainment-education, its applications in the United States and throughout the world, the multiple communication theories that bear on E-E, and a range of research methods for studying the effects of E-E interventions. The editors include commentary and insights from prominent E-E theoreticians, practitioners, activists, and researchers, representing a wide range of nationalities and theoretical orientations. Examples of effective E-E designs and applications, as well as an agenda for future E-E initiatives and campaigns, make this work a useful volume for scholars, educators, and practitioners in entertainment media studies, behavior change communications, public health, psychology, social work, and other arenas concerned with strategies for social change. It will be an invaluable resource book for members of governmental and non-profit agencies, public health and development professionals, and social activists.

Table of Contents

Preface xv
List of Tables, Figures, and Photos
xix
I HISTORY AND THEORY
The Status of Entertainment-Education Worldwide
3(18)
Arvind Singhal
Everett M. Rogers
What is E-E and What Can It Do?
5(1)
Growing Institutional Interest in E-E Practice and Research
6(2)
The Rise of Multiple Forms of E-E
8(4)
Increasing Theoretical Vigor and Sophistication
12(1)
Understanding Resistances to E-E
13(1)
From Individual to Multilevel Explanations of Behavior Change
14(1)
Methodological Pluralism
15(2)
Conclusions
17(1)
References
18(3)
A History of Entertainment-Education, 1958--2000
21(18)
David O. Poindexter
Editors' Introduction
21(1)
Getting to Know U.S. National Television
22(1)
The Population Communication Center
23(3)
International Population Communication: 1973--1981
26(2)
Dialogo in Costa Rica
26(1)
Mexico and Miguel Sabido
26(2)
Continuing Sabido's Work
28(1)
Taking the Sabido Methodology to the World
28(3)
India: First Transfer of the Sabido Methodology
29(2)
Opening in Brazil
31(1)
Founding Population Communications International
31(4)
India
32(1)
The Philippines
32(1)
China
32(1)
Tanzania: The First Full-Fledged Model
32(2)
St. Lucia
34(1)
India and Pakistan
34(1)
Later Projects
35(1)
Lessons Learned
35(1)
References
36(3)
Entertainment-Education as a Public Health Intervention
39(22)
Phyllis Tilson Piotrow
Esta de Fossard
Uses of Entertainment-Education
41(2)
Challenges of Entertainment-Education
43(3)
The Importance of Social Norms
46(2)
Addressing Poverty
48(2)
Linking Health With Social Issues
50(1)
Advantages of Serial Dramas
51(4)
How to Link Health with Social Issues
52(3)
Conclusions and Lessons Learned
55(1)
References
56(5)
The Origins of Entertainment-Education
61(14)
Miguel Sabido
Editors' Introduction
61(1)
Beginnings
62(2)
MacLean's Theory of the Triune Brain
64(1)
Nodes
65(2)
Reptilian Nodes
65(1)
Limbic Nodes
66(1)
Intellectual Nodes
66(1)
Flow
67(1)
What is Tone?
67(1)
Integration With Other Theories
68(1)
Bandura's Social Learning Theory
68(1)
Bentley's Dramatic Theory
68(1)
Jung's Theory of Archetypes
69(1)
Applying Entertainment-Education Theory to Television Soap Operas
69(2)
The Role of Communication Research
71(1)
Lessons Learned
71(2)
Conclusions
73(1)
References
74(1)
Social Cognitive Theory for Personal and Social Change by Enabling Media
75(22)
Albert Bandura
Editors' Introduction
75(1)
Dual Path of Influence
76(1)
Social Cognitive Theoretical Model
77(5)
Social Modeling
78(1)
Perceived Self-Efficacy
78(3)
Collective Efficacy
81(1)
Goals and Aspirations
81(1)
Outcome Expectations
81(1)
Perceived Facilitators and Impediments
82(1)
Translational and Implementational Model
82(3)
Differential Modeling
82(2)
Vicarious Motivators
84(1)
Attentional Involvement
84(1)
Symbolic Coding Aids
84(1)
Environmental Support
84(1)
Social Diffusion Model
85(2)
Cultural and Value Analyses
87(1)
Global Applications of the Sociocognitive Model
87(7)
Promoting National Literacy
88(2)
Environmental Sustainability by Stemming Population Growth
90(1)
Generalization Through Functional Adaptations
91(2)
Control on Other Independent Variables
93(1)
Sustainability by Modification of Consummatory Lifestyles
94(1)
References
95(2)
Celebrity Identification in Entertainment-Education
97(20)
William J. Brown
Benson P. Fraser
The Role of Celebrities in Today's Society
98(3)
Celebrity Endorsements
99(1)
Celebrity Causes
100(1)
Identification as a Social Change Process
101(3)
Theoretical Framework for Celebrity Identification
104(4)
Dimensions of Celebrity Identification
105(1)
Antecedents and Consequences of Identification
106(2)
Featuring Celebrities in Entertainment-Education
108(2)
Implications and Conclusions
110(1)
References
111(6)
The Theory Behind Entertainment-Education
117(36)
Suruchi Sood
Tiffany Menard
Kim Witte
The Present Research
118(1)
Theoretical Characteristics of Entertainment-Education Programs
119(4)
Entertainment-Education Theories
123(10)
Steps/Stages Models
123(3)
Psychological Models
126(2)
Drama Theories
128(1)
Audience-Centered Theories
129(1)
Contextual Theories
130(1)
Hybrid Models
131(2)
Methodological Characteristics of Entertainment-Education Programs
133(10)
Formative Research
133(1)
Measuring Exposure
133(10)
Characters
143(1)
Future Directions for Entertainment-Education Theoretical Research
143(2)
References
145(8)
II RESEARCH AND IMPLEMENTATION
No Short Cuts in Entertainment-Education: Designing Soul City Step-by-Step
153(24)
Shereen Usdin
Arvind Singhal
Thuli Shongwe
Sue Goldstein
Agnes Shabalala
Editors' Introduction
153(3)
The Formative Research Process for Soul City IV
156(4)
Translating Formative Research Findings
157(1)
Scriptwriting
158(2)
The Domestic Violence Storyline
160(4)
Decisions About the Characters
164(3)
Decisions About Situations
167(2)
Advocacy and Social Mobilization
169(1)
Impacts of Soul City IV
170(3)
Conclusions
173(2)
References
175(2)
Organizing a Comprehensive National Plan for Entertainment-Education in Ethiopia
177(14)
William N. Ryerson
Negussie Teffera
Editors' Introduction
177(1)
The Whole Society Strategy
178(1)
Ethiopia
179(1)
Getting Started
180(1)
Implementing the Entertainment-Education Strategy
181(1)
Planning Workshops
182(1)
Formative Research
183(1)
Training Workshops
184(1)
Production of the Entertainment-Education Radio Dramas
185(1)
Objectives
185(3)
Stage Dramas
185(1)
Video Production
186(1)
Poems and Short Stories
186(1)
Capacity Building Through Training
186(1)
Launching the Serial Dramas
187(1)
Working With Save the Children USA
187(1)
Working With UNDP
187(1)
Working With IPAS Ethiopia
188(1)
Working With the World Bank
188(1)
Monitoring and Evaluation
188(1)
Isolating the Effects From Other Activities
188(1)
Data on Client Numbers
189(1)
Lessons Learned
189(1)
References
189(2)
Evolution of an E-E Research Agenda
191(16)
Bradley S. Greenberg
Charles T. Salmon
Dhaval Patel
Vicki Beck
Galen Cole
The Parameters of E-E
192(3)
Toward a Research Agenda
195(3)
A Continuing Research Agenda for E-E
198(3)
The 2000 CDC Conference on Entertainment-Education
201(2)
Conclusions
203(1)
References
204(3)
Working With Daytime and Prime-Time Television Shows in the United States to Promote Health
207(18)
Vicki Beck
Informing and Motivating Viewers About Health
208(4)
Tony's HIV
209(1)
Breast Cancer on The Young and the Restless
210(2)
Health Effects of Primetime Television
212(1)
An Entertainment-Education Program for Public Health
212(2)
The CDC Entertainment-Education Program
214(1)
The Healthstyles Survey
215(1)
Entertainment Industry Resources
216(2)
Collaborations and Their Results
218(1)
Recognition of Exemplary Health Storylines
219(2)
Conclusions
221(1)
References
222(3)
Entertainment-Education Television Drama in the Netherlands
225(18)
Martine Bouman
Rise of the E-E Strategy in the Netherlands
227(3)
Beyond Entertainment
230(1)
E-E Partnership Arrangements
230(2)
Steering Power
232(1)
Is It Entertainment-Education?
233(1)
Theoretical Design
234(2)
The Creative Design Process
236(2)
Implementation
238(2)
Lessons Learned
240(1)
References
241(2)
Entertainment-Education Programs of the BBC and BBC World Service Trust
243(18)
Michael J. Cody
Sangeeta Fernandes
Holley Wilkin
The British Broadcasting Corporation
244(1)
The Threat of Commercial Television
245(1)
The BBC Soap Operas and Other Programs
246(7)
The EastEnders
247(3)
Using Web sites
250(1)
Using Multiple Media
251(2)
The BBC World Service Trust
253(5)
Combating Leprosy
254(2)
Other E-E Interventions
256(2)
Conclusions
258(1)
Author's Note
259(1)
References
259(2)
Social Merchandizing in Brazilian Telenovelas
261(20)
Antonio C. La Pastina
Dhaval S. Patel
Marcio Schiavo
Social Merchandizing
262(1)
The Brazilian Telenovela
263(1)
Television Globo Network
264(2)
The Current State of Social Merchandizing
266(1)
Social Merchandizing Prosocial Themes
267(2)
Malhacao
269(1)
Lacos de Familia
270(1)
TV Globo's Broadcasting Time Slot Structure
271(2)
Lessons Learned
273(4)
Production Process
273(1)
Multiple Approach
274(1)
Organic Nature
274(1)
Intentionality
275(1)
Evaluation
276(1)
Recommendations
276(1)
References
277(4)
Delivering Entertainment-Education Health Messages Through the Internet to Hard-to-Reach U.S. Audiences in the Southwest
281(20)
Everett M. Rogers
Potential of the Internet for E-E
283(1)
Effects of the Entertainment-Education Strategy
284(2)
Diffusion of the Internet and the Digital Divide
286(1)
Appropriate Web Content for New Internet Users
287(1)
Health Information Needs of Internet Users
288(1)
Breast Cancer and Mammography Screening
289(1)
Reaching Hispanic People in the Southwest With Internet Health Messages
290(2)
Investigation Internet-Delivered E-E for Breast Cancer Screening
292(1)
Conclusions
293(1)
References
294(7)
III ENTERTAINMENT-EDUCATION INTERVENTIONS AND THEIR OUTCOMES
Entertainment-Education in the Middle East: Lessons From the Egyptian Oral Rehydration Therapy Campaign
301(20)
Rasha A. Abdulla
An Overview of Entertainment-Education in Egypt
302(3)
E-E Television in Egypt
303(1)
E-E Television Spots
304(1)
The Egyption ORT Campaign
305(10)
What Is ORT?
306(1)
The ORT Campaign E-E Strategy
306(9)
The ORT Campaign and Communication Theory
315(2)
Social Marketing
315(1)
Diffusion of Innovations
315(2)
Social Learning Theory
317(1)
Lessons Learned
317(2)
References
319(2)
The Turkish Family Health and Planning Foundation's Entertainment-Education Campaign
321(10)
Yasar Yaser
Campaign Objectives
322(1)
Campaign Strategy
323(1)
Media Reach and Media Mix
324(1)
Campaign Effects
325(3)
Social Marketing
328(1)
Conclusions
329(1)
Reference
329(2)
Cartoons and Comic Books for Changing Social Norms: Meena, the South Asian Girl
331(20)
Neill McKee
Mira Aghi
Rachel Carnegie
Nuzhat Shahzadi
The Birth of Meena
332(2)
Background and Rationale
334(2)
Cartoons and Comic Books for Social Change
336(1)
Creative Development and Formative Research Process
337(3)
Using Meena to Foster Social Change
340(5)
Evaluation of Meena
345(2)
Lessons Learned
347(1)
References
348(3)
Air Cover and Ground Mobilization: Integrating Entertainment-Education Broadcasts With Community Listening and Service Delivery in India
351(26)
Arvind Singhal
Devendra Sharma
Michael J. Papa
Kim Witte
Historical Background: From Tinka to Taru
355(2)
The Taru Project
357(5)
Orchestrating Audiences Through Folk Performances
358(4)
Researching Taru
362(3)
Taru's Listenership
362(1)
Community Case-Study and Field Observations
363(2)
Impact of Taru
365(8)
Parasocial Interaction With Taru
366(3)
Social Learning Through Peer Conversations
369(1)
Collective Efficacy Stimulated by Taru
370(2)
Nonlinearity of Social Change: Power, Resistance, and Paradoxical Behaviors
372(1)
Conclusions
373(1)
References
374(3)
Entertainment-Education Through Participatory Theater: Freirean Strategies for Empowering the Oppressed
377(22)
Arvind Singhal
Participatory Communication
379(2)
Paulo Freire's Dialogic Pedagogy
381(2)
Freire in Practice: Augusto Boal's Theater of the Oppressed
383(2)
Participatory Theatrical Techniques
385(5)
Image Theater
385(1)
Forum Theater
386(2)
Invisible Theater
388(1)
Legislative Theater
389(1)
Participatory Theater: Serving the Oppressed
390(6)
Drama AIDS Education in South Africa
390(3)
Theater for Empowerment in India
393(2)
A Pedagogy of Prevention in Brazil
395(1)
Participatory Mass Media E-E in Brazil
396(1)
Conclusions
396(1)
References
397(2)
Soap Operas and Sense-Making: Mediations and Audience Ethnography
399(18)
Thomas Tufte
E-E and Communication for Social Change
400(3)
Participation and Community Involvement
403(1)
E-E and HIV/AIDS
404(1)
Bridging Paradigms?
404(1)
From Media to Mediations
405(2)
Anglo-Saxon Tradition of Cultural Studies
407(1)
Telenoveals: Touching Everyday Experience
408(5)
Research Findings
410(3)
Conclusions
413(1)
References
413(4)
Entertainment-Education and Participation: Applying Habermas to a Population Program in Nepal
417(18)
J. Douglas Storey
Thomas L. Jacobson
Communicative Action and Participation
419(3)
Habermas' Theory and Participatory Communication
422(2)
Nepal's Population Program
424(1)
Communicative Action and Nepal's Population Program
425(5)
Interpersonal Communication/Counseling
425(2)
Mass Media
427(2)
Networks for Behavior Change
429(1)
Research on Program Impacts
430(1)
Conclusions
431(1)
References
432(3)
Epilogue 435(4)
About The Authors 439(7)
Author Index 446(8)
Subject Index 454

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