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| Foreword | |
| Exploring Sexuality and Corporeality | p. 1 |
| "I am unable even / To contain myself": The Maternal Threshold of Subjectivity in Medbh McGuckian's The Flower Master and Other Poems | p. 1 |
| "My Form is Epicine": Sexual Ambiguity in the Poetry of Richard Murphy | p. 3 |
| Bodies in Samuel Beckett's Fiction and Drama | p. 39 |
| The Journal Urania: An Alternative Archive of Radical Gender Masquerade | p. 55 |
| Experiential Ekphrasis in Eva Bourke s "Letter to Sujata" | p. 71 |
| Discourses of Sexuality and Irishness | p. 87 |
| The "Unmarried Mother" and Moral Politics in the Free State: Developing a Political Narrative for the History of Sexuality in Ireland | p. 89 |
| Irish Confessional Discourse in Kate O'Brien's Novels | p. 109 |
| Sexuality and Religion in Kate O'Brien's Fiction | p. 125 |
| "The Erotic Highstyle": Self-Reflexivity and Performativity in Robert McLiam Wilson's Eureka Street and Ripley Bogle | p. 141 |
| Surveying Sexuality and Gender in Sport, in Song and on Screen | p. 157 |
| "French Letters": The Space of the HIV body in Irish Television Broadcasting in the mid-1980s | p. 159 |
| "He Sees His Own Face Reflected": Representations of Eamon de Valera in the Fiction and Films of Neil Jordan | p. 177 |
| Masculinity, Victimization and the Recuperation of Authority in Intermission | p. 195 |
| The Body in Pedro Almodovar's Work: A Site of Rhizomatic Symbolic Violence | p. 211 |
| Queer Rewrites of the Self in the Songs of Suzanne Vega: "I will be Dietrich and you can be Dean" | p. 229 |
| Women in Sport: The Oxymoronic Irish Woman Athlete and her Experiences of Traditional Gender Constructs within a Mainstream Heteronormative Society | p. 247 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
