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9780754659266

Essays on the Performance of Baroque Music: Opera and Chamber Music in France and England

by
  • ISBN13:

    9780754659266

  • ISBN10:

    0754659267

  • Format: Hardcover
  • Copyright: 2008-06-28
  • Publisher: Routledge
  • Purchase Benefits
List Price: $185.00

Summary

In this collection of essays, Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the seventeenth and early-eighteenth centuries. Using composers' own notations, marks added by eighteenth-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin.

Table of Contents

Vocal Music in France
Élisabeth-Claude Jacquet de La Guerre: a biographical essay
The sacred and secular cantatas of Élisabeth-Claude Jacquet de La Guerre: an introduction
Representing Jacquet de La Guerre on disc: scoring and basse continue practices and a new painting of the composer
A new Rameau cantata
Performing Rameau's cantatas
Towards a chronology of Rameau's cantatas
Declamation and expressive singing in recitative
18th-century French and Italian singing: Rameau's writing for the voice
On performing 18th-century haute-contre roles
Basses and basse continue in the orchestra of the Paris Opéra, 1700-1764
The dramatic role of the chorus in French opera: evidence for the use of gesture, 1670-1770
The Paris Opéra chorus during the time of Rameau
'Inclina Domine': a Martin motet wrongly attributed to Rameau
Preface to François Martin, Petits Motets for One and Two Solo Voices with Instruments
Bach's music in France: a new source
The Viol and Violin in England
A 17th-century source of ornamentation for voice and viol
British Museum ms. Egerton 2971
Carl Friedrich Abel's solos: a musical offering to Gainsborough?
Books on old violins and 19th-century playing from the bequest of T.W. Mills
Tempo graduations in Purcell's sonatas
Violin playing in late 17th-century England: Baltzar, Matteis, and Purcell
Ornamentation in English lyra viol music: part 1: slurs, juts, and thumpes and other 'graces' for the bow
Ornamentation in English lyra viol music: part 2: shakes, relishes, falls, and other 'graces' for the left hand
Index
Table of Contents provided by Publisher. All Rights Reserved.

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