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Introduction and acknowledgements | p. 1 |
Introducing the community of learners | p. 3 |
The importance of a rich language environment, with multi-sensory experience | p. 8 |
A broad, rich and deep curriculum, across all areas of development and learning | p. 8 |
Learning together, adults and children | p. 10 |
Thoughts to take with you as you read the book | p. 10 |
Summary - the essentials of literacy | p. 11 |
Introducing the essentials of literacy | p. 12 |
When should children be taught to read and write? | p. 12 |
Key moments in the journey towards literacy: walking, talking and pretending | p. 13 |
In order for young children to (later) be able to read and write independently, these are the essentials of literacy | p. 14 |
Taking traditional practice forward in a learning community | p. 19 |
Observing children in an enabling environment | p. 20 |
Observing children | p. 20 |
The Early Years Foundation Stage Profile | p. 22 |
Continuing the learning journey | p. 23 |
Creating the atmosphere | p. 24 |
The (hidden) importance of play | p. 26 |
Sharing books together, as well as looking at books alone | p. 29 |
Meaningful print | p. 36 |
Movement, dance and music | p. 39 |
Powerful first-hand experiences which support understanding of rhymes | p. 39 |
Opening up the world of communication, language and literacy in an enabling environment | p. 41 |
Baby songs | p. 42 |
Development of the brain | p. 42 |
The first few months - looking, listening and moving | p. 43 |
Parents and carers interacting with very young children through movement and non-verbal communication in dance-like ways | p. 44 |
Baby songs | p. 47 |
Finger rhymes | p. 51 |
Sitting - fingers and thumbs | p. 51 |
Crawling - balancing and travelling at the same time | p. 52 |
Introducing finger rhymes to children | p. 57 |
Stage 1 | p. 57 |
Stage 2 | p. 57 |
Stage 3 | p. 57 |
Finger dexterity as emergent 'writing' | p. 58 |
Finger thymes should not be used in isolation from other types of rhyme | p. 58 |
Stage 1 | p. 59 |
What were the results (outcomes) for stage 1 finger rhymes? | p. 60 |
Stage 2 | p. 60 |
What were the results (outcomes) for stage 2 finger rhymes? | p. 62 |
Stage 3 | p. 63 |
What are the results (outcomes) for stage 3 finger rhymes? | p. 64 |
Mark-making and writing | p. 66 |
Mark-making | p. 66 |
Getting the idea of flow in writing | p. 76 |
From a three-dimensional world to a two-dimensional world | p. 77 |
Key messages about children beginning to write | p. 80 |
Action songs - on the spot | p. 81 |
Why sing action songs with young children? | p. 81 |
Who started the tradition of singing action songs with children? | p. 81 |
Why does the tradition continue today? Is it still a valuable tradition? | p. 81 |
The upper body: on the spot | p. 82 |
Head to feet - the order in which the brain develops co-ordinated movement | p. 84 |
Action songs using the body, but on the spot (non-locomotion) | p. 89 |
Stage 1 action songs - upper body, simple rhymes and movements | p. 90 |
Stage 2 action songs - more upper body movement sequences and several verses | p. 90 |
Stage 3 - whole-body non-locomotion action songs | p. 91 |
Summary | p. 94 |
Action songs - moving around | p. 95 |
Why locomotion action songs come later | p. 95 |
Action songs involving locomotion | p. 96 |
Action songs that become ring games | p. 100 |
Action songs that create a drama | p. 101 |
Summary | p. 104 |
Nursery rhymes | p. 105 |
Nursery rhymes are part of the canon of literature in the English language | p. 105 |
The sounds of language | p. 106 |
Using nursery rhymes - strengthening what comes naturally to children | p. 108 |
Traditional nursery rhymes selected to develop phonemic awareness | p. 110 |
The importance of not rushing children through their journey into literacy | p. 112 |
Where is each child in their unique journey into literacy? | p. 113 |
Summary | p. 117 |
Poetry cards | p. 118 |
Understanding comes before competence | p. 118 |
What are poetry cards? | p. 119 |
Making the poetry card | p. 119 |
Poetry cards make a bridge between language development, reading and writing | p. 120 |
Making human sense of reading and writing | p. 121 |
In what order should children be introduced to the linking of sounds with letters? | p. 123 |
English is one of the most irregular and inconsistent languages in the world | p. 124 |
Poetry cards give children anchor points | p. 128 |
Summary | p. 131 |
Bibliography | p. 132 |
Index | p. 138 |
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